American literature -- History and criticism; English literature -- History and criticism; World War, 1914-1918 -- Poetry
It is needless to describe the verses of Rupert Brooke, which have
attained a circulation which any poet might envy. They are comprised in
two slender volumes, that above mentioned, and one of 1911, published
while he was still at Cambridge. He was born in 1887, and when he died
off Skyros, in circumstances of the most romantic pathos, he had not
completed his twenty-eighth year. He was, unlike the majority of his
contemporaries, a meticulous and reserved writer, little inclined to be
pleased with his work, and cautious to avoid the snare of improvisation.
Hence, though he lived to be older than did Keats or Fergusson, he left
a very slender garland of verse behind him, in which there is scarcely a
petal which is not of some permanent value. For instance, in the volume
of 1911 we found not a few pieces which then seemed crude in taste and
petulant in temper; but even these now illustrate a most interesting
character of which time has rounded the angles, and we would not have
otherwise what illustrates so luminously--and so divertingly--that
precious object, the mind of Rupert Brooke.
Yet there is a danger that this mind and character may be
misinterpreted, even by those who contemplate the poet's memory with
idolatry. There is some evidence of a Rupert Brooke legend in the
process of formation, which deserves to be guarded against not less
jealously than the R.L. Stevenson legend of a few years ago. We know
that for some people gold and lilies are not properly honoured until
they are gilded and painted. Rupert Brooke was far from being either a
plaster saint or a vivid public witness. He was neither a trumpet nor a
torch. He lives in the memory of those who knew him as a smiling and
attentive spectator, eager to watch every flourish of the pageantry of
life. Existence was a wonderful harmony to Rupert Brooke, who was
determined to lose no tone of it by making too much noise himself. In
company he was not a great talker, but loved to listen, with sparkling
deference, to people less gifted than himself if only they had
experience to impart. He lived in a fascinated state, bewitched with
wonder and appreciation. His very fine appearance, which seemed to glow
with dormant vitality, his beautiful manners, the quickness of his
intelligence, his humour, were combined under the spell of a curious
magnetism, difficult to analyse. When he entered a room, he seemed to
bring sunshine with him, although he was usually rather silent, and
pointedly immobile. I do not think it would be easy to recollect any
utterance of his which was very remarkable, but all he said and did
added to the harmonious, ardent, and simple effect.
Public-domain text, read in full here on John Shaqi.
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