American literature -- History and criticism; English literature -- History and criticism; World War, 1914-1918 -- Poetry
The record of the brief and shining life of Julian Grenfell has been
told in an anonymous record of family life which is destined to
reverberate far beyond the discreet circle of friends to which it is
provisionally addressed. It is a document of extraordinary candour,
tact, and fidelity, and it is difficult to say whether humour or courage
is the quality which illuminates it most. It will be referred to by
future historians of our race as the most vivid record which has been
preserved of the red-blooded activity of a spirited patrician family at
the opening of the twentieth century. It is partly through his place at
the centre of this record that, as one of the most gifted of his elder
friends has said, the name of Julian Grenfell will be linked "with all
that is swift and chivalrous, lovely and courageous," but it is also
through his rare and careless verses.
Julian Grenfell, who was born to excel with an enviable ease, was not a
poet by determination. In a family where everything has been preserved,
no verses of his that are not the merest boyish exercises are known to
exist previous to the war. He was born in 1888, and he became a
professional soldier in India in 1911. He was on his way home from South
Africa when hostilities broke out, and he was already fighting in
Flanders in October 1914. After a very brilliant campaign, in the course
of which he won the D.S.O. and was twice mentioned in despatches, he was
shot in the head near Ypres and died of his wounds at Boulogne on May
26th, 1915. During these months in France, by the testimony of all who
saw him and of all to whom he wrote, his character received its final
touch of ripeness. Among his other attainments he abruptly discovered
the gift of noble gnomic verse. On receiving news of the death of Rupert
Brooke, and a month before his own death, Julian Grenfell wrote the
verses called "Into Battle," which contain the unforgettable stanzas:--
"The fighting man shall from the sun
Take warmth, and life from the glowing earth;
Speed with the light-foot winds to run,
And with the trees to newer birth....
"The woodland trees that stand together,
They stand to him each one a friend;
They gently speak in the windy weather;
They guide to valley and ridge's end.
"The kestrel hovering by day,
And the little owls that call by night,
Bid him be swift and keen as they,
As keen of ear, as swift of sight.
"The blackbird sings to him 'Brother, brother,
If this be the last song you shall sing,
Sing well, for you may not sing another,
Brother, sing.'"
The whole of this poem is memorable, down to its final prophetic
quatrain:--
"The thundering line of battle stands,
And in the air Death moans and sings;
But Day shall clasp him with strong hands,
And Night shall fold him in soft wings."
Public-domain text, read in full here on John Shaqi.
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