they are even now so generally being driven. No doubt, in this condition, the originality of those who do contrive to write strongly and clearly will be more vigorously evident than ever. The poets will have to gird up their loins and take their sword in their hands. That wise man of the eighteenth century, to whom we never apply without some illuminating response, recommends that "Qui saura penser de lui-même et former de nobles idées, qu'il prenne, s'il pent, la manière et le tour élevé des maîtres." These are words which should inspire every new aspirant to the laurel. "S'il peut"; you see that Vauvenargues puts it so, because he does not wish that we should think that such victories as these are easy, or that any one else can help us to produce them. They are not easy, and they will be made more and more hard by the rubbed-out, conventionalised coinage of our language. In this matter I think it probable that the little peoples and the provinces which cultivate a national speech, will long find a great facility in expressing themselves in verse. I observe that it has recently been stated that Wales, which has always teemed with vernacular poets, has never possessed so many as she does at this time. I am debarred by what Keats called "giant ignorance" from expressing an opinion on the subject, but I presume that in Welsh the resources of language are far from being so seriously exhausted as we have seen that they are in our own complicated sphere, where the cultivation of all the higher forms of poetic diction through five centuries has made simple expression extremely difficult. I am therefore ready to believe that in Welsh, as in Gaelic and in Erse, the poets have still wide fields of lyric, epic, and dramatic art untilled. We have seen, in the latter half of the nineteenth century, Provençal poets capable of producing simple and thrilling numbers which are out of the reach of their sophisticated brethren who employ the worn locutions of the French language. In new generations there is likely, we may be sure, to occur less description of plain material objects, because the aspect of these has already received every obvious tribute. So also there can hardly fail to be less precise enumeration of the primitive natural emotions, because this also has been done already, and repeated to satiety. It will not any longer satisfy to write "The rose is red, the violet blue, And both are sweet, and so are you."