England -- Social life and customs -- Fiction; World War, 1914-1918 -- Social aspects -- England -- Fiction
"Of course, Port Scatho, I won't withdraw my wretched little account
from you if you want to keep it. It flatters me that you should." He
stopped and added: "I only wanted to avoid these . . . these family
complications. But I suppose you can stop my brother's money being paid
into my account. I don't want his money."
He said to Sylvia:
"You had better settle the other matter with Port Scatho."
To Port Scatho:
"I'm intensely obliged to you, Port Scatho. . . . You'll get Lady Port
Scatho round to Macmaster's this evening if only for a minute; before
eleven. . . ." And to his brother:
"Come along, Mark. I'm going down to the War Office. We can talk as we
walk."
Sylvia said very nearly with timidity--and again a dark thought went
over Tietjens' mind:
"Do we meet again then? . . . I know you're very busy. . . ."
Tietjens said:
"Yes. I'll come and pick you out from Lady Job's, if they don't keep me
too long at the War Office. I'm dining, as you know, at Macmaster's; I
don't suppose I shall stop late."
"I'd come," Sylvia said, "to Macmaster's, if you thought it was
appropriate. I'd bring Claudine Sandbach and General Wade. We're only
going to the Russian dancers. We'd cut off early."
Tietjens could settle that sort of thought very quickly.
"Yes, do," he said hurriedly. "It would be appreciated."
He got to the door: he came back: his brother was nearly through. He
said to Sylvia, and for him the occasion was a very joyful one:
"I've worried out some of the words of that song. It runs:
'Somewhere or other there must surely be
The face not seen: the voice not heard . . .'
Probably it's 'the voice not ever heard' to make up the metre. . . . I
don't know the writer's name. But I hope I'll worry it all out during
the day."
Sylvia had gone absolutely white.
"Don't!" she said. "Oh . . . _don't_." She added coldly: "Don't take the
trouble," and wiped her tiny handkerchief across her lips as Tietjens
went away.
She had heard the song at a charity concert and had cried as she heard
it. She had read, afterwards, the words in the programme and had almost
cried again. But she had lost the programme and had never come across
the words again. The echo of them remained with her like something
terrible and alluring: like a knife she would some day take out and with
which she would stab herself.
III
Public-domain text, read in full here on John Shaqi.
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