England -- Social life and customs -- Fiction; World War, 1914-1918 -- Social aspects -- England -- Fiction
"You won't get it any quicker by interrupting. I have to tell my stories
in my own way. My father wanted your mother to be comfortable. He said
so that she could write books, not papers. I don't know what the
difference is: that's what he said. He wants you to be comfortable too.
. . . You've not got any encumbrances? Not . . . oh, say a business: a
hat shop that doesn't pay? Some girls have. . . ."
She said: "No. I just teach . . . oh, _do_ be quick. . . ."
For the first time in his life he dislocated the course of his thoughts
to satisfy a longing in some one else.
"You may take it to go on with," he said, "as if my father had left your
mother a nice little plum." He cast about to find his scattered
thoughts.
"He has! He _has_! After all!" the girl said. "Oh, thank God!"
"There'll be a bit for you, if you like," Mark said, "or perhaps
Christopher won't let you. He's ratty with me. And something for your
brother to buy a doctor's business with." He asked: "You haven't
fainted, have you?" She said:
"No. I don't faint. I cry."
"That'll be all right," he answered. He went on: "That's your side of
it. Now for mine. I want Christopher to have a place where he'll be sure
of a mutton-chop and an arm-chair by the fire. And someone to be good
for him. _You're_ good for him. I can see that. I know women!"
The girl was crying, softly and continuously. It was the first moment of
the lifting of strain that she had known since the day before the
Germans crossed the Belgian frontier, near a place called Gemmenich.
It had begun with the return of Mrs. Duchemin from Scotland. She had
sent at once for Miss Wannop to the rectory, late at night. By the light
of candles in tall silver stocks, against oak panelling she had seemed
like a mad block of marble, with staring, dark eyes and mad hair. She
had exclaimed in a voice as hard as a machine's:
"How do you get rid of a baby? You've been a servant. You ought to
know!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account