Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
It was during one of Sir William Harcourt’s visits to Hughenden that
Disraeli turned to him after dinner and said, “Harcourt, I have had two
young gentlemen from Oxford staying with me lately, and it seems from
what I have learned from them that our judgments in all literary matters
are sadly old-fashioned. These young gentlemen assured me that,
according to the accepted canons of the present day, the late Lord Byron
is to be admired, not so much for his qualities as a poet, as for the
beauty of his moral character.”
Lord Beaconsfield’s appearance, as expressed in his dress, even at that
later date when I first came in contact with him, still retained
something of the florid taste that had characterised him as a youth. The
bright colours he chose to affect stood in striking contrast with the
impassive pallor of a countenance that seemed, as it gazed out upon the
world, like some insoluble riddle of the East. The racial
characteristics of his face were sufficiently marked, but the sense of
death-like stillness that pervaded it gave it something of historic
remoteness and antique calm. He looked out upon the present as though
from the recesses of a buried past, and of all the representatives of
his nation whom I have known, he appeared to me the only one who
possessed in any pre-eminent degree the quality of self-possession in
manner and bearing.
These external attributes served as the index of that extraordinary
power of intellectual detachment which enabled him to sway the passions
of others and to control his own. Such unquestioned authority as he
ultimately acquired over the Tory party could, perhaps, only have been
achieved by one who used their prejudices without sharing them, and who
could appeal to their deeply rooted convictions rather as an artist than
as a partisan.
As a speaker, he affected more of florid grace than was quite congenial
to the taste of the time or the sympathies of his hearers, and his
choice of language, whether in his novels or in his speeches, was
sometimes insecurely poised between a leaning towards ornament that was
sometimes tawdry, and a genuine and convincing eloquence.
Here again the racial characteristics were apt to assert themselves, and
such a phrase as he employed at the conclusion of the Abyssinian
War--that we had set the standard of St. George upon the mountains of
Rasselas--may be taken as an instance of an essay in the sublime that
verges nearly upon the ridiculous.
I heard him for the first time when he introduced his great Reform Bill
in 1867, and his gestures also struck me then as often bordering upon
the grotesque.
I can recall his attitude now as he drew towards the close of his speech
with his arms folded and his head sunk upon his breast, rolling out in a
voice, that I confess had for me neither intrinsic beauty of tone nor
perfect accent of sincerity, the carefully forged phrases which formed
the close of his peroration.
Public-domain text, read in full here on John Shaqi.
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