Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
I think at the first nobody was more surprised than Mr. Bateman at the
success achieved by Irving’s experiment. In those days the favourite
haunt of actors was the old Albion Tavern in Drury Lane. Clubs were
comparatively few, and fewer still the actors who belonged to them. The
licensing laws imposing the early closure upon the London taverns had
not yet been passed, and it was the habit of those who were interested
in the theatre to gather in the old-fashioned boxes of the Albion, and
to remain in eager discussion over the things of the drama till the
small hours of the morning. It was on one evening during the first
rendering of _The Bells_ that I found myself seated there in company
with a few genial spirits including Henry Montague, Toole, and Tom
Thorne, when we noticed that Irving’s manager, Mr. Bateman, had entered
and was gazing round the room as though in search of some one he had
appointed to meet. It occurred at once to the mischievous spirit of
Toole to turn the occasion to account. In a whispered sentence he made
the rest of us co-conspirators in the little drama he had suddenly
devised, and as Mr. Bateman, still scanning the visitors assembled,
advanced from box to box, he and Montague, in tones designedly pitched
so that all might hear, began an animated discussion as to Irving’s
rightful claims to a larger salary than he was at that time receiving. I
believe, in fact, that Irving’s remuneration was something like £15 a
week, which represented a substantial advance upon the payment he had
received during his engagement for _The Two Roses_ at the Vaudeville
Theatre; but Montague and Toole vied with one another like competing
bidders at an auction in loud proclaim of his larger worth.
“£15 a week!” said Toole. “Why, he’s worth £20 at any rate!”
“£20!” retorted Montague. “Nonsense! He’s worth £30 if he’s worth a
penny!”
And then Thorne, topping Montague, said he would be perfectly willing to
give him £40 if he would return to the Vaudeville; and as the voices
grew louder in the increasing estimate of Irving’s value, Bateman,
attracted by the discussion, drew nearer and nearer to the box in which
we sat, until at last, leaning with his elbows upon the mahogany
partition, he leant forward with lowering brows no longer able to
contain the indignation which these comments had provoked. And then at
last Toole, always incorrigible in humorous mischief, topped all
previous bidders by the emphatic announcement that Henry Irving was
worth £50 a week if he was worth a shilling, to which Bateman, now
incensed beyond measure, retorted, “Yes, and you are the scoundrels who
would put him up to asking it.”
Public-domain text, read in full here on John Shaqi.
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