Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
_À propos_ of _Hamlet_, Irving used to tell a story that was
characteristic of his imperturbable self-possession and was no less
interesting in the light it throws upon the striking individuality of a
youth who afterwards rose to a foremost position in public affairs. It
was some few years after his performance of the character in London
that Irving found himself in Dublin at a time when the Duke of
Marlborough, the father of Lord Randolph Churchill, was Lord-Lieutenant
of Ireland. _Hamlet_ was the play of the evening, and Lord Randolph,
seated alone, occupied the viceregal box. When the second act was ended
he went behind the scenes to Irving’s dressing-room and introduced
himself to the actor. With an apology that was evidently sincere he
expressed his regret that, owing to a reception at the Castle, he was
unable to wait for the conclusion of the performance. He declared
himself, however, intensely interested with what he had seen, and begged
Irving to tell him in a few words, as his time was limited, how the play
ended. Irving, as he told me, was at first so taken aback that he
thought his visitor was indulging in a humorous sally at the expense of
the immortal dramatist, but a quick glance at the young man’s earnest
face sufficed to reassure him, and he then told Lord Randolph the
outline of that concluding part of the story which his social engagement
did not permit him to see represented upon the boards.
“When do you play it again?” inquired the young man of the actor.
“On Wednesday next,” answered Irving.
“I shall be there,” replied Lord Randolph, earnestly; and there
assuredly he was from the rise of the curtain to its fall, in rapt
attention to every succeeding scene of the tragedy.
At the conclusion he again went round to Irving’s room, even more
enthusiastic than on the occasion of his previous visit; and, with a
naïveté that was, I think, deeply characteristic of that power he
afterwards displayed in public affairs--the power of swiftly
appropriating the knowledge needful for every successive post he
occupied--he made the frank avowal that, since their last meeting, he
had read for himself, not only _Hamlet_, but two or three other plays by
the same author.
“And do you know, Mr. Irving,” he said, “I find them enormously
interesting.”
Lord Randolph, I think, must have retained to the last his admiration of
Irving’s talent as an actor, for I met him several times in later years
at those little suppers in the Beefsteak Room of the Lyceum Theatre,
which formed so memorable a feature of Irving’s management. Here,
indeed, might be met many of the most notable people of the time, and
amongst them, an almost constant figure in these pleasant gatherings,
Irving’s life-long friend, J. L. Toole. The lasting friendship between
these two men, so differently gifted and yet so enduringly allied,
forms, I think, a touching tribute to certain great qualities of loyalty
resident in them both.
Public-domain text, read in full here on John Shaqi.
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