Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
The recollection of many pleasant hours spent at the Lambs Club recalls
other social gatherings which have lightened my life as a man of
letters. Of society, strictly so called, I have known but little. A few
occasional excursions into the higher realms have come to me
accidentally, and my experiences of such more formal gatherings were
never of a kind to tempt me to strive with any earnest ambition for
those more dignified joys which must, I presume, be highly prized by
those who seek them.
The drift of modern life has, indeed, broken down many of the barriers
of an earlier time, and the dividing line between Bohemia and Society,
properly so called, is now often effaced by ambition on the one side or
by curiosity on the other.
Here, however, I shall only speak of those more intimate gatherings
where artists of various callings were wont to meet, and the first in my
recollection are those associated with the pleasant Sunday evenings at
the house of Dr. Westland Marston, whose simple hospitality drew many
interesting folk to his table.
It was there I first met the beautiful Adelaide Neilson, whose
picturesque and romantic career would vie in interest, if it could ever
be recorded, with that of Lady Hamilton herself. Certainly her changing
fortunes were no less sudden in their contrast, for, although she came
of humble origin, she was at the time when I first knew her widely
worshipped as a beauty and as an actress.
Dr. Westland Marston himself had, like Rossetti, though not in an equal
degree, the power of inspiring and encouraging younger men, whom he
loved to draw about him. While I was still at school I had already read
his play of _The Patrician’s Daughter_, a play chiefly interesting from
a literary point of view by reason of its endeavour to treat a purely
modern theme through the medium of blank verse. Some of his shorter
poems were also known to me, and as he was the first man of any rank in
literature with whom I had become personally acquainted, I was glad of
the opportunity which those Sunday evenings afforded me to know him
better.
No man had ever a more real delight in literature or a clearer or more
delicate perception of its finer qualities. I think it was Joseph Knight
who first introduced me to him, and in the years when I was making my
first efforts in journalism it was a constant delight to me to find that
I was a welcome visitor at his house.
He had been impressed, as Knight told me, by a review I had written in
the _Globe_ of the poems of Joachim Miller, and I remember the warm
words of encouragement with which he greeted me on my first visit to his
house.
Public-domain text, read in full here on John Shaqi.
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