Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
The subject of King Arthur, while the production was in progress at the
Lyceum, took a strong hold upon him, and it was only a very little while
before his death that he made a proposition to me that I should so far
rearrange the material I had treated as to provide a libretto for an
opera he had in his mind to compose.
[Illustration:
_Emery Walker_
SIR ARTHUR SULLIVAN
From the painting by Sir J. E. MILLAIS, Bart., P.R.A., in the National
Portrait Gallery.
_To face page 284._
]
It was some little time after the Lyceum production that I became even
more closely associated with him in the production of _The Beauty
Stone_. The book was written by Mr. Pinero and myself, and Sir Arthur
Sullivan was the composer. During a part of that time he occupied a
charming little villa at Beaulieu on the Riviera, and there I stayed
with him for six weeks while he was setting some of the more important
of the lyrics in the opera.
The near neighbourhood of Monte Carlo presented an element of temptation
to Sullivan, who was a born gambler. But he was at the time so hard set
upon his work that he announced to me on my arrival his fixed resolve
that our visits to the Casino should be strictly limited to two days in
the week. Like all born gamblers Arthur had his peculiar superstitions.
He could not endure to be watched while he was playing; and if he
chanced to catch sight of me anywhere near the table at which he was
seated, his resentment found eloquent expression. It was only when I
contrived to keep entirely out of sight that I was able to observe him
as he sat wholly absorbed in the play. The excitement to which he
yielded on these occasions was extraordinary, and the rapidity with
which he covered the series of chosen numbers very often outran his own
remembrance of what he had done.
I have seen him, as he passed from one table to the other, followed by a
friendly croupier carrying a handful of gold which he himself was
ignorant he had won. And when the evening closed, and we found ourselves
once more in the train that was to take us back to Beaulieu, he would
sometimes sink back entirely exhausted with the energy he had expended
in his three hours’ traffic in the rooms.
Public-domain text, read in full here on John Shaqi.
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