Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
But he had even in this respect his little human weaknesses, and the
praise which I had bestowed upon his work on more than one occasion
brought from him a warm letter of appreciation, the existence of which I
think he afterwards forgot; for I remember at a dinner-party, during the
later days of our friendship, when he was denouncing, with his
accustomed liberty of speech, that hated tribe of which I had been a
member, I ventured softly from the other end of the table to interject
the remark, “Ah yes, Jimmy, but you didn’t always think so,” and then
upon the top of a reiterated expression of his contempt for those who
wrote about Art, I reminded him of my possession of a little letter
which I had been very happy to receive and was well content to preserve.
And so the incident closed with some graceful and half-jesting reference
on his part to my superior claims, which he had always, of course, as he
declared, impliedly excepted from his general condemnation of the class.
As a companion I found him delightful, and his hospitality at the
several houses he successively occupied in Chelsea, however restricted
it might occasionally prove owing to his shifting financial fortunes,
had an inimitable grace and distinction peculiarly his own; though
there were some, however, whose more exacting appetite was not always
content with the slender material of those delightful little breakfasts
over which he so perfectly presided.
To me the charm of the host sufficed to cover any deficiency in the
feast, even in those days when he laughingly told me that his fishmonger
was the only tradesman who could afford to deal with him. But I remember
meeting, during one of these periods of narrow resources, a foreign
painter who at one time had felt himself greatly favoured by an
invitation to Cheyne Walk. I asked him if he had seen anything of
Whistler lately, to which he replied, “Ah no, not now so much. He ask me
a leetle while ago to breakfarst, and I go. My cab-fare two shilling,
’arf-crown. I arrive, very nice. Gold fish in bowl, very pretty. But
breakfarst--one egg, one toast, no more! Ah no! My cab-fare, two
shilling, ’arf-crown. For me no more!”
This, I think, was an exaggerated picture of the limits which Whistler
was sometimes compelled to set to his hospitality. I know, for my own
part at any rate, that these breakfasts were always delightful, and
sometimes, when the mood took him, he would go himself into the kitchen
and prepare a “plat” of his own devising, thus giving a final charm to
his graceful entertainments.
His talk on these occasions, swift in its wit and always ready in
repartee, was not, however, often of a kind that bears recording, so
much depended upon the man himself, his personality and his manner, and
so much upon the exact appropriateness of every word he uttered to the
mood of the occasion. There was always about him a substratum of impish
mischief which gave flavour and colour either to his criticism or his
appreciation.
Public-domain text, read in full here on John Shaqi.
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