Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
But for once he made an unfortunate choice of a foe. “Not with me, my
dear Jimmy,” I replied to him. “No one enjoys more keenly your essays as
a controversialist, or more deeply appreciates the wit and ingenuity
which they display, but not with me.” I think that he must have
perceived that I had detected his amiable design, for when he came to
see me after the receipt of my letter it was in a spirit of the most
boisterous good-humour that he reproached me with having despoiled him
of a promised affray.
The fact that he was in many quarters unpopular he realised with a sense
of conscious enjoyment. On one occasion I had been put up as a candidate
for a club of which he was already a member, and on meeting him at an
evening party he said, “My dear Joe, why didn’t you tell me? I would
have put my name down on your page,” to which I replied in something of
his own spirit--knowing that I had already been elected, a fact of which
he was unaware--“Well, my dear Jimmy, put it down now, it can do no harm
now”--a delicate tribute to that unpopularity to which I have referred,
which he received with riotous laughter.
One of the latest of the contests in which Whistler loved to involve
himself found him pitted against an opponent who was almost his match in
ingenuity, and far outstripped him in the unscrupulous use of any weapon
that came ready to his hand.
This was Charles Howell, a strange creature whom I had first met at one
of Rossetti’s delightful little dinners, and who was at the time
welcomed as a companion by all the artists of that special group.
Endowed with real taste in all matters of Art, he for a while served as
secretary to Mr. Ruskin, and in that capacity was able to ingratiate
himself with many of the artists of whose work Ruskin was then the
champion.
I met him often at Whistler’s house in Cheyne Walk, where I think he was
as much appreciated for the more questionable qualities of his character
as for his quick admiration of Whistler’s genius.
The attitude of one to the other was always amusing to watch, for it was
obvious that both were on their guard: Howell half conscious that even
in his most plausible mood he lay open to the suspicion of a sinister
intention, and Whistler, whilst not unaware of the subtlety and skill of
his companion, rather encouraging the initiation of a contest in which
he never doubted the sufficiency of his own resources.
There are numerous stories of Howell well known to the men with whom he
was at that time brought in contact that need not now be revived. What
is certainly true, as against any defects that may be alleged against
him, is that in conversation he was interesting and attractive, watchful
of the effect on his companion of every word that he uttered, and yet so
quick in apparent sympathy that it was impossible to ignore the charm of
his personality.
Public-domain text, read in full here on John Shaqi.
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