Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
Suddenly their attention was concentrated upon the Scotsmen’s
compartment, where the indicator thrust out from the side of the
carriage betokened that the alarm-bell had been sounded by them. A
swift altercation, the purport of which I scarcely gathered, ended in
the peremptory demand on the part of the officials for the surrender of
the travellers’ tickets, combined with a menacing intimation that the
matter would be further investigated on our arrival at Amiens.
At Amiens it seemed as though all the staff of the Nord were gathered
upon the platform, and the force of this official affray was
concentrated upon the compartment occupied by the two sturdy travellers
from the North. With scant ceremony these gentlemen were commanded to
descend from the carriage amid a fierce war of words, in which I fancy
neither party had the smallest understanding of what was uttered by the
other.
Alighting from my own compartment, I caught, rising above the angry
objurgations of the French officials, the repeated assurances of the
Scotsmen that they admitted their fault, and were eager to apologise for
its consequences.
“I admit that I did it,” said the elder of the two, with a broad Scotch
accent, “and I am sorry.”
But this reiterated expression of guilt and regret only seemed to
incense the Frenchmen the more, until, in his despair, the Scotsman
turned to me and in tones of almost pitiful entreaty inquired if I could
speak a little French. On my replying in the affirmative, he supplied me
with an explanation of his conduct, which he begged me to translate for
the benefit of the _chef de gare_.
“Will you tell them,” he replied, “that we admit we did it, and are
sorry, but it occurred in this way? On entering the compartment my
friend and I observed that there were two small windows connected with
the adjoining carriage, where, as we happened to know, a party of ladies
were seated, and more for their sake than ours,” he continued, “and with
a view to securing the privacy which we knew they would desire, my
friend and I thought that we would pull down the blinds over these
windows, and so leave the ladies in the full assurance that they were
unobserved. But when I pulled the ring in the small window nearest to me
the blind did not come down, and then my friend tried, with the same
result, and then I said, ‘Maybe if we both pull together it will be
better.’ And so we both pulled together, and yet the blind did not come
down, but the train stopped, and we are sorry.”
These poor gentlemen had been totally unaware that the rings at which
they had been tugging so vigorously were attached to no blinds, but
directly communicated with the guard of the train. They were, in fact,
the alarm-signals which had brought us to so sudden a halt outside
Calais.
This was the story which he implored me to relate to the _chef de gare_
and his assembled subordinates, and I shall not easily forget the
mingled incredulity and amusement with which my narrative was received.
Public-domain text, read in full here on John Shaqi.
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