Some Eminent Women of Our Times: Short Biographical SketchesFawcett, Millicent Garrett, Dame
Philosophy
Some Eminent Women of Our Times: Short Biographical Sketches
Fawcett, Millicent Garrett, Dame
Women -- Biography; Women -- Great Britain -- Biography
Hannah’s first visit to London was about 1772 or 1773, when she was
twenty-seven or twenty-eight years old. She saw the first performance of
Sheridan’s _Rivals_, and sagely remarks that the writer must be treated
with indulgence, for that “much is to be forgiven in an author of
twenty-three, whose genius is likely to be his principal inheritance.”
She was introduced to Miss Reynolds, Sir Joshua’s sister, and this lady
promised to make her known to Dr. Johnson. She saw Garrick, the great
actor, in _King Lear_, and was so much impressed by him that she wrote a
long description of his acting in a letter that was handed about among
her friends and gained a sort of half publicity, as seems to have been
not unusual at that time. This letter paved the way for an introduction
to Garrick and his wife, and Hannah More became one of their most
intimate and valued friends. Garrick encouraged Hannah to write for the
stage, and some of her pieces, under his fostering care, had an
astonishing degree of success. Garrick’s favourite name for the poetess
was “Nine,” by way of delicate comparison with the nine muses. Horace
Walpole used to call her “Saint Hannah.” Dr. Johnson called her “a saucy
girl,” perhaps the nicest epithet of the three. When Garrick died,
Hannah was one of the ladies admitted to Westminster Abbey to witness
his funeral. Hannah spent the first year of her friend’s widowhood with
Mrs. Garrick at her house near Hampton; and on many other occasions it
was shown, in a similar way, that Hannah was one on whom her friends
were accustomed to depend for sympathy and support in the darkest hours
of mourning and sorrow. After Garrick’s death Hannah never visited a
theatre again. She did not even go to see her own play, _The Fatal
Falsehood_, which Garrick had been preparing to put on the stage at the
time of his death.
From the time of her first entry into London society she seems to have
had access to all that was best in the world of literature and art, and
to have played a distinguished part there. It is, therefore, the more to
her credit that she turned from this gay and brilliant life in order to
devote herself to the work of education and civilisation among the poor
people of Cheddar and the Mendips.
Public-domain text, read in full here on John Shaqi.
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