The picture shows a portion of a double flower-border in another square
walled garden, formerly a kitchen garden, and only comparatively lately
converted into pleasure-ground. Yews planted in a wide half-circle form
a back-ground to the bright flowers and to a statue on a pedestal. The
intended effect is not yet finished, for the trellis at the back of the
borders is hardly covered with its rambling Roses, which will complete
the picture by adding the needed height that will bring it into proper
relation with the tall yews. There is a cleverly invented edging which
gives added dignity as well as regularity, and obviates the usual
falling over of some of the contents of the border on to the path; an
incident that is quite in character in a garden of smaller proportion,
but would here be out of place. A narrow box edging, just a trim line of
green, has within it a good width of the foliage of Cerastium. The
bloom, of course, was over by the middle of June, but the close carpet
of downy white leaf remains as a grey-white edging throughout the summer
and autumn.
Though this border shows bold masses of flowers, it scarcely gives an
[Illustration: ST. ANNE’S, CLONTARF
FROM THE PICTURE IN THE POSSESSION OF
MISS MANNERING]
idea of the general scale of grand effect that follows the carrying out
of the design and intention of its accomplished mistress. For here
things are done largely and yet without obtrusive ostentation. They seem
just right in scale. For instance, in the house are some great columns;
huge monoliths of green Galway marble. It is only when details are
examined that it is perceived how splendid they are, and only when the
master tells the story, that the difficulty of transporting them from
the West of Ireland can be appreciated. For they were quarried in one
piece, and bridges broke under their immense weight. At one point in
their journey they sank into a bog, and their rescue, and indeed their
whole journey and final setting up at its end, entailed a series of
engineering feats of no small difficulty.
AUCHINCRUIVE
Public-domain text, read in full here on John Shaqi.
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