"Sacre Rappresentazioni," 13, 21 et seq. music of, 24 time of origin, 27 sources of, 27 their construction and performance, 29 scenic effects, 30 as forerunners of opera, 32 "Saint Uliva," sacred play, 29 Sannazzaro, Jacopo, his "Arcadia," 62 Scene painting, in early plays, 93 Scenic effects, in "Sacre Rappresentazioni," 30 in Poliziano's "Orfeo," 86, 93 Schalmei, 145 Sensualism, esthetic in Italy, 61 Singing, development of technic, 214, 215 Solo, superseded by part song, 117 in madrigal drama, 198, 205 vocal, 114, 119, 222 et seq., 227 adapted from part songs, 119 et seq. florid element abused, 222 Songs, arranged for lute accompaniment, 121 Spectacular, element in early plays, 93, 155, 166 in early dramatic music, 158 predominance of the, 160 et seq. in music of sixteenth century, 207 et seq. in music of sixteenth century, revolt against, 212 Striggio, Alessandro, 51, 185 his art work, 185 Table music, 139 Tasso, "Aminto," music of, 172 Technic, vocal, 214 Thoroughbass, 154, 232 Todi, Jacopone da, 23 Tromboncino, Bartolomeo, 46, 115 Ugolino, Baccio, original _Orfeo_, 79, 87