My informant, Mrs. Norton, frequently resided in the house in her
childhood and youth, and it was from her lips that I heard the
following story which I recollect only too well.
* * * * *
My first impression of Carne House was one of extreme aversion; I can
see it now as I saw it then--vast, sleek, and white, like some monstrous
toadstool, or slimy fungus.
Bathed in the moonlight--for we did not arrive till late--it confronted
us with audacious nudity; not a plant or shrub being trained to hide
its naked sides. There was something unspeakably loathsome in the
boldness of its carriage--something that made me glance with fear at its
wide and gaping windows and glance again as I crossed the threshold
into the dark and lofty hall.
The passages of the house, both in number and sinuosity, resembled a
maze; they recalled to my youthful mind the story of Dædalus, and I
half expected to see the figure of the Minotaur suddenly arise from
some gloomy corner and pursue me through the labyrinth.
Nor were my fears entirely groundless, for I had hardly been in the
place a month before I had a very unpleasant experience.
Chancing one morning to go on an errand for my mother to a room that
had in all probability once served as a laundry, but which was now
restricted to lumber, I was startled at hearing something move either
in or on the copper. Thinking it must be some stray animal, or, may be,
a rat, I threaded my way through a sea of packing cases, and standing
on tip-toe, peeped very cautiously into the copper.
To my intense surprise I found myself looking into a very deep and
sepulchral well, at the bottom of which was a man. I could see him
distinctly, owing to a queer kind of light that seemed to emanate from
every part of his body. He was draped in a phantastic costume that
might have been a kimono or one of those flowery dressing-gowns worn
by our great-great-grandfathers. He was bending over a box which he
was doing his best to conceal under a pile of _débris_, and it was
undoubtedly this noise that had attracted me.
Too intent on his work, he was apparently unaware of my close
proximity, until, satisfied that the box was well hidden, he
straightened his back and looked up.
His face frightened me; not that it was anything out of the normal
either in feature or complexion, but it was the expression--the look of
evil joy that suffused every lineament before he saw me, changing to
one of the most diabolical fury as our eyes met. I was at first too
transfixed with terror to do more than stare, and it was only when,
crouching down, he took a sudden and deliberate spring at the wall
and began to climb it like a spider, that I regained possession of my
limbs, and turning round, fled for my life.
Oh! how long that room seemed and what an interminable succession of
furniture now appeared to barricade the way.
Every yard was a mile, every instant I expected he would clutch me.
Public-domain text, read in full here on John Shaqi.
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