"What do you mean?" he gasped starting up again. "Would you make me
doubt my own eyes? You sit there and coolly tell me I do not know
the woman I married--the woman whom I held in my arms night before
last--the woman who told me over and over again, by look and word,
that she loved me?"
She had blushed vividly and for a moment covered her face with her
hands. But she stopped him at that point.
"That is exactly what I do tell you. You do not know your wife, the
woman whose name is on that marriage paper. Look at me closely.
Come nearer. Is there not some feature different? Is she
truly--this other woman--so like me?"
She said it earnestly and eagerly. She bent toward him until her
breath fanned his face and until he could look with his troubled eyes
deep into her clear, shadowless orbs.
And then, strange as it may seem, although John Ryder saw nothing
unfamiliar in her countenance--nothing to warn him that this was not
the woman whom he had wedded--one thing he suddenly knew. It was a
startling discovery. It shook him to the very depths of his soul.
Whereas Ruth's very presence--his being near her and in physical
contact with her--had thrilled him each time it occurred, he felt no
such shock now. His anger had abated. He was shaken no more by the
terrible rage under which he had labored. But this woman held no
such influence over him, after all, as had Ruth. Still he was
confused.
"Ruth! Can such a thing be?" he whispered brokenly. "You surely
_do_ love me a little?"
The abjectness of his speech and the misery in the man's face were
awful. Miss Mont covered her face again and began to sob.
"You will not do this to me, Ruth? I know you must love me a little.
No woman could be to a man what you were to me without loving him.
Whatever this shadow is that has come between us----"
The passion and pleading in his voice had swept her on with him. She
was trembling violently and her sobs were more broken. He would have
gathered her into his arms by one sudden movement had she not sprung
to her feet and eluded his hands.
"Stop! Stop!" she cried hoarsely. "This is not for me to hear! You
do not mean this for _me_!
"I tell you, Mr. Ryder, I am another woman. I am not the person you
married. I am not Ruth Mont; I am Rose Mont--and always have been
and," she broke into passionate weeping, "and--and--always--shall
be--_now_!"
[Illustration: I am another woman. I am not the person you married.]
The vehemence of her emotion quelled Ryder as nothing else had done.
She flung herself upon her knees with her head and arms resting upon
the littered dressing table and abandoned herself to tears which
seemed to well from her very soul.
He leaned over her, not daring to touch her, anxious,
panting--altogether broken in spirit. A woman's tears flow easily
they say; but this woman was not by nature a crying woman. This
flood, however, cleared her heart and mind, and she saw and
understood more clearly when her passion was past.
Public-domain text, read in full here on John Shaqi.
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