MICHAEL DRAYTON.
_Odes._
[1606, and 1619.]
_To the Reader._
[Illustration]
Odes I have called these, the first of my few Poems; which how happy
soever they prove, yet Criticism itself cannot say, That the name is
wrongfully usurped. For (not to begin with Definitions, against the
Rule of Oratory; nor _ab ovo_, against the Prescript of Poetry in a
poetical argument: but somewhat only to season thy palate with a slight
description) an Ode is known to have been properly a Song moduled to
the ancient harp: and neither too short-breathed, as hastening to the
end; nor composed of [the] longest verses, as unfit for the sudden
turns and lofty tricks with which APOLLO used to menage it.
They are, as the Learned say, divers:
Some transcendently lofty; and far more high than the Epic, commonly
called the Heroic, Poem--witness those of the inimitable PINDARUS
consecrated to the glory and renown of such as returned in triumph
from [the Games at] Olympus, Elis, Isthmus, or the like.
Others, among the Greeks, are amorous, soft, and made for chambers; as
others for theatres: as were ANACREON'S, the very delicacies of the
Grecian ERATO; which Muse seemed to have been the Minion of that Teian
old man, which composed them.
Of a mixed kind were HORACE'S. And [we] may truly therefore call these
mixed; whatsoever else are mine: little partaking of the high dialect
of the first
Though we be _all_ to seek
Of PINDAR, that great Greek,
nor altogether of ANACREON; the Arguments being amorous, moral, or what
else the Muse pleaseth.
To write much in this kind neither know I how it will relish: nor,
in so doing, can I but injuriously presuppose ignorance or sloth in
thee; or draw censure upon myself for sinning against the decorum
of a Preface, by reading a Lecture, where it is enough to sum the
points. New they are, and the work of Playing Hours: but what other
commendation is theirs, and whether inherent in the subject, must be
thine to judge.
* * * * *
But to act the Go-Between of my Poems and thy applause, is neither my
modesty nor confidence: that, oftener than once, have acknowledged
thee, kind; and do not doubt hereafter to do somewhat in which I shall
not fear thee, just. And would, at this time, also gladly let thee
understand what I think, above the rest, of the last Ode of the number;
or, if thou wilt, Ballad in my book. For both the great Master of
Italian rymes PETRARCH, and our CHAUCER, and others of the Upper House
of the Muses, have thought their Canzons honoured in the title of a
_Ballad:_ which for that I labour to meet truly therein with the old
English garb, I hope as ably to justify as the learned COLIN CLOUT his
_Roundelay_.
Thus requesting thee, in thy better judgment, to correct such faults as
have escaped in the printing; I bid thee farewell.
[M. DRAYTON.]
_ODES._
[1606.]
ODE I.
_To Himself, and the Harp._
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