Some Persons UnknownHornung, E. W. (Ernest William)
General
Some Persons Unknown
Hornung, E. W. (Ernest William)
English fiction -- 19th century; Short stories, English
His passion pleased Sapphira, and put out of her head for the moment
the thought of her people, which haunted her unpleasantly at times;
but as decidedly such a time was the present, when she was about to go
back into their midst, she reverted to the subject of her own accord,
dwelling chiefly on the obsolete character of her people's ideas on
certain points, of which the instance was the fuss they had made about
her coming up to town at all. That move had obtained their sanction at
last, but never their approval. They were still on the pounce for the
slightest pretext to insist upon her giving it all up, like a dutiful
child, which (said Sapphira) was by no means their opinion of her in
the meantime. If, therefore, they were to suspect for one moment--but
imperatively they must suspect nothing until such time as they might
be told all with confidence born of a picture in the Academy at the
very least. Such were the girl's people on her own showing. As a fact,
they were also exceedingly prosperous and well-to-do; but of that
she made as little as possible. And a few days later she was back
among them; taking nothing seriously from morning till night; joining
heartily in the general laugh against herself and her artistic exploits
in town; and cheerfully supporting, from day to day, the renewed
attentions of a young neighbouring squire, whom she had banished from
the country (without intending that) a twelve-month before--the honest
gentleman, in fact, who is now her husband.
Meanwhile in glaring London, the ill-starred Saumerez was wearing
out brain and hand and eye for his Sapphira. As a moving surprise
for her when she returned, and to show his great love, he had begun
incontinently upon his great attempt; and daily the dream of months
was crumbling beneath his hand, for the simple reason that the
conception was entirely beyond his present power of execution, besides
being as yet most imperfectly matured in his mind. Hour after hour,
and day after day, his hand hovered over the great canvas, as often
with palette-knife as with brush; and only the presence of his model
kept him from tears and execrations. And night after night, under a
great blinding light, the same fool sat drawing viciously for the
semi-insolvent illustrated paper from which he was earning his
precarious livelihood all this time. Night and day, day and night; it
was enough to wreck the strongest, and Saumerez was never strong. But
he was greatly fortified by the thought of his mistress, and still more
by the ever-present sight of her on the one canvas he had covered to
something like his own satisfaction. Sapphira's portrait was a distinct
success, which left him some lingering belief in his own powers, to
pit against daily and hourly failure; and he had often told her how it
encouraged him in another way. By a clever trick accidently caught he
had painted her eyes so that they watched him incessantly, whether at
Public-domain text, read in full here on John Shaqi.
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