"Nothing hurts now," he answered, with a queer, quiet sort of swagger in his tone and manner. "If anything ever did hurt, it's what I'm thinking of now; it might hurt less if I told you something about it." "Then go on by all means. You may trust me to hold my tongue." "My good fellow, why should you? Tell whom you like. It makes no difference. Nothing has made any difference for years. Besides, it's well enough known in the old country, though I've never spoken of it, drunk or sober, out here. I can't think why I should want to speak of it now--but I do." He leant towards me and paused, admiring the white unbroken ash of his cigar, and half smiling. That half-smile was to me the saddest feature of a narrative of which it was the constant accompaniment. The tragic story which affected me so deeply seemed simply to interest the man who had brought the tragedy about. He told it in the fewest and the coolest words. "One village and one woman--that's all. Deuce knows how many other women there were who could claim to come into the yarn, but I've forgotten them all but that one. There were plenty of villages, too, round about, including our own, but I'm only going to tell you of hers. Ours was not so much a village as a kingdom under the absolute rule of the most tyrannical old despot in this world--if he is in it still--I mean my father. He bullied and bossed the whole parish, including the parson, insulting the poor devil and threatening to have him suspended every other Sunday. He himself snarled out the lessons in church, and he made me learn texts by rote before I could read; for my father was one of those hard-bitten old saints who breed sinners like me the whole world over. "But three miles from our village, which was in a constant simmer of discontent and suppressed rebellion, lay just the sweetest and most peaceful spot on earth, where it seems to me now that the sun was always shining. It was one long, old street of yellow walls and red tiles, and when you got to the end of it, there was the thatched church and the rectory, and the good old rector with his two hands stretched out to greet you, and hovering about him, to a certainty, the purest angel that ever wasted her love on a devil incarnate. I won't tell you the name of the village nor yet of the county. You'll be going back to the old dust one of these days, and you might run across my people. I don't want you to know it if you do. You may take your oath you won't hear of me from them; they've done their best to forget my existence. Oh, dear, yes, my name on the station books is as false as hell, like the rest of me. But I don't mind telling you her name. It was Edith, and I used to call her Edie. Jolly name, Edie, sweet and simple like the poor little thing herself. Rum thing, isn't it, how easily it still slips off my tongue?"