American fiction -- 19th century; Short stories, American
They were as usual in the garden, and it hadn't yet been so present to
him that if he were only a happy cad there would be a good way to
protect her. As she wouldn't hear of his being yet beyond precautions
she had gone into the house for a particular shawl that was just the
thing for his knees, and, blinking in the watery sunshine, had come back
with it across the fine little lawn. He was neither fatuous nor asinine,
but he had almost to put it to himself as a small task to resist the
sense of his absurd advantage with her. It filled him with horror and
awkwardness, made him think of he didn't know what, recalled something
of Maupassant's--the smitten "Miss Harriet" and her tragic fate. There
was a preposterous possibility--yes, he held the strings quite in his
hands--of keeping the treasure for himself. That was the art of
life--what the real artist would consistently do. He would close the
door on his impression, treat it as a private museum. He would see that
he could lounge and linger there, live with wonderful things there, lie
up there to rest and refit. For himself he was sure that after a little
he should be able to paint there--do things in a key he had never
thought of before. When she brought him the rug he took it from her and
made her sit down on the bench and resume her knitting; then, passing
behind her with a laugh, he placed it over her own shoulders; after
which he moved to and fro before her, his hands in his pockets and his
cigarette in his teeth. He was ashamed of the cigarette--a villainous
false note; but she allowed, liked, begged him to smoke, and what he
said to her on it, in one of the pleasantries she benevolently missed,
was that he did so for fear of doing worse. That only showed how the end
was really in sight. "I dare say it will strike you as quite awful, what
I'm going to say to you, but I can't help it. I speak out of the depths
of my respect for you. It will seem to you horrid disloyalty to poor
Addie. Yes--there we are; there _I_ am at least in my naked
monstrosity." He stopped and looked at her till she might have been
almost frightened. "Don't let her come. Tell her not to. I've tried to
prevent it, but she suspects."
The poor woman wondered. "Suspects?"
"Well, I drew it, in writing to her, on reflexion, as mild as I
could--having been visited in the watches of the night by the instinct
of what might happen. Something told me to keep back my first letter--in
which, under the first impression, I myself rashly 'raved'; and I
concocted instead of it an insincere and guarded report. But guarded as
I was I clearly didn't keep you 'down,' as we say, enough. The wonder of
your colour--daub you over with grey as I might--must have come through
and told the tale. She scents battle from afar--by which I mean she
scents 'quaintness.' But keep her off. It's hideous, what I'm
saying--but I owe it to you. I owe it to the world. She'll kill you."
"You mean I shan't get on with her?"
Public-domain text, read in full here on John Shaqi.
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