American fiction -- 19th century; Short stories, American
This was what the tall lean loose gentleman lounging there before her
might have appeared to read in the suggestive scene over which, while
she talked to him, his eyes moved without haste and without rest. "Oh
come, Mamie!" he occasionally threw off; and the words were evidently
connected with the impression thus absorbed. His comparative youth spoke
of waste even as her positive--her too positive--spoke of economy. There
was only one thing, that is, to make up in him for everything he had
lost, though it was distinct enough indeed that this thing might
sometimes serve. It consisted in the perfection of an indifference, an
indifference at the present moment directed to the plea--a plea of
inability, of pure destitution--with which his sister had met him. Yet
it had even now a wider embrace, took in quite sufficiently all
consequences of queerness, confessed in advance to the false note that,
in such a setting, he almost excruciatingly constituted. He cared as
little that he looked at moments all his impudence as that he looked all
his shabbiness, all his cleverness, all his history. These different
things were written in him--in his premature baldness, his seamed
strained face, the lapse from bravery of his long tawny moustache; above
all in his easy friendly universally acquainted eye, so much too
sociable for mere conversation. What possible relation with him could be
natural enough to meet it? He wore a scant rough Inverness cape and a
pair of black trousers, wanting in substance and marked with the sheen
of time, that had presumably once served for evening use. He spoke with
the slowness helplessly permitted to Americans--as something too slow to
be stopped--and he repeated that he found himself associated with Miss
Cutter in a harmony calling for wonder. She had been telling him not
only that she couldn't possibly give him ten pounds, but that his
unexpected arrival, should he insist on being much in view, might
seriously interfere with arrangements necessary to her own maintenance;
on which he had begun by replying that he of course knew she had long
ago spent her money, but that he looked to her now exactly because she
had, without the aid of that convenience, mastered the art of life.
"I'd really go away with a fiver, my dear, if you'd only tell me how you
do it. It's no use saying only, as you've always said, that 'people are
very kind to you.' What the devil are they kind to you FOR?"
"Well, one reason is precisely that no particular inconvenience has
hitherto been supposed to attach to me. I'm just what I am," said Mamie
Cutter; "nothing less and nothing more. It's awkward to have to explain
to you, which moreover I really needn't in the least. I'm clever and
amusing and charming." She was uneasy and even frightened, but she kept
her temper and met him with a grace of her own. "I don't think you ought
to ask me more questions than I ask you."
Public-domain text, read in full here on John Shaqi.
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