American fiction -- 19th century; Short stories, American
"He is indeed--delightfully. And where DO you get your ways of saying
things? It isn't anything--and the things aren't anything. But it's so
droll."
"Don't let yourself, all the same," Mamie consistently pursued, "be
carried away by it. The thing can't be done--simply."
Lady Wantridge wondered. "'Done simply'?"
"Done at all."
"But what can't be?"
"Why, what you might think--from his pleasantness. What he spoke of your
doing for him."
Lady Wantridge recalled. "Forgiving him?"
"He asked you if you couldn't. But you can't. It's too dreadful for me,
as so near a relation, to have, loyally--loyally to YOU--to say it. But
he's impossible."
It was so portentously produced that her ladyship had somehow to meet
it. "What's the matter with him?"
"I don't know."
"Then what's the matter with YOU?" Lady Wantridge inquired.
"It's because I WON'T know," Mamie--not without dignity--explained.
"Then _I_ won't either."
"Precisely. Don't. It's something," Mamie pursued, with some
inconsequence, "that--somewhere or other, at some time or other--he
appears to have done. Something that has made a difference in his life."
"'Something'?" Lady Wantridge echoed again. "What kind of thing?"
Mamie looked up at the light above the door, through which the London
sky was doubly dim. "I haven't the least idea."
"Then what kind of difference?"
Mamie's gaze was still at the light. "The difference you see."
Lady Wantridge, rather obligingly, seemed to ask herself what she saw.
"But I don't see any! It seems, at least," she added, "such an amusing
one! And he has such nice eyes."
"Oh DEAR eyes!" Mamie conceded; but with too much sadness, for the
moment, about the connexions of the subject, to say more.
It almost forced her companion after an instant to proceed. "Do you mean
he can't go home?"
She weighed her responsibility. "I only make out--more's the pity!--that
he doesn't."
"Is it then something too terrible--?"
She thought again. "I don't know what--for men--IS too terrible."
"Well then as you don't know what 'is' for women either--good-bye!" her
visitor laughed.
It practically wound up the interview; which, however, terminating thus
on a considerable stir of the air, was to give Miss Cutter for several
days the sense of being much blown about. The degree to which, to begin
with, she had been drawn--or perhaps rather pushed--closer to Scott was
marked in the brief colloquy that she on her friend's departure had with
him. He had immediately said it. "You'll see if she doesn't ask me
down!"
"So soon?"
"Oh I've known them at places--at Cannes, at Pau, at Shanghai--do it
sooner still. I always know when they will. You CAN'T make out they
don't love me!" He spoke almost plaintively, as if he wished she could.
"Then I don't see why it hasn't done you more good."
"Why Mamie," he patiently reasoned, "what more good COULD it? As I tell
you," he explained, "it has just been my life."
"Then why do you come to me for money?"
Public-domain text, read in full here on John Shaqi.
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