Some Specimens of the Poetry of the Ancient Welsh BardsEvans, Evan
General
Some Specimens of the Poetry of the Ancient Welsh Bards
Evans, Evan
Welsh poetry -- To 1550; Welsh poetry -- Translations into English
Lliw eiry cynnar pen Aran—
Lloer bryd lwys fryd o lys Vran.
I lately borrowed a quarto, fairly written by a man of learning and great
knowledge in antiquities, but ignorant of the Welsh prosody, for which
reason it is not very correct. There are many of D. G. in it, Owdl Fair,
by I. R. I. Ll. of Gogerddan; one quarter of which is Latin. I have seen
the same in another book given to D. N---, Mawl Edw. 3 ryw bryd gwedi
Aerfa Cressi, o waith Iolo.—That battle was fought in the year 1346.—Edw
IIId. died 1377.—This is demonstration that Iolo ought to have been
placed much higher in chronology than the year 1400; and by his own
testimony we find he was a mere _Cleirirach_ before the commencement of
the 15th century, though he lived about ten years after. This, though in
Iolo’s usual style, I think the most ancient Cywydd I ever saw, excepting
one of D. Ddu, _Digam gwnaeth Duw oi gymwyd_; and even this is, by some,
fathered upon Iolo. _Mar._ _Tywysog Llewelyn_—Gwaith Bleddyn Fardd—Iolo
Goch was of the family of the Pantons, of Coed Panton, and Plas Panton,
in the parish of Llan Nefydd, Denbighshire. The Latin version in Saphics
of Taliesin’s ode _Ef a wnaeth Panton_, and some good _Cywydds_ of
Iolo’s, that I never saw before, M.D. ap Gr. ap Llew—a lâs yn y Mwythig,
a gant Bleddyn Fardd, Dadolwch Rhys, ap Gr. ap Rhys ap Tewdwr,
Gwelygorddiau Powys, Breiniau Powys: those three by Cynddelw Br. Mawr.
A small volume was lately given me collected by Mr. Ellis Wynne, of
Lasynys, it contains a great many fragments of British prophecies; by Rys
Fardd eight; by Ithel Bardd y Bendro one; by Merddin (wyllt I presume)
nineteen; by Robin Ddu two; by Ieu. Drwch y Daran one; by Bercam one; by
Adda Fras; by Gronwy Ddu; by Jonas Mynyw one; Proffwydoliaeth Dewi St.
Bardd Cwsc nine; by Taliesin, on various subjects, fifteen. The matter
of those that bear the name of Merddin, may be his, but I judge they are
not his compositions by the style, though it is not modern. Some called
Taliesin’s, I believe were forged by the Monks, others I think genuine.
The prophecies are worth reading, on account of the style and names of
places.
Public-domain text, read in full here on John Shaqi.
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