"And it inspired you to go into fashion design. It also provided employment for a couple dozen people over the years. I sometimes got to help out little alternative girls from North Toronto buy vintage prom dresses at the end of the year, and I helped Motown revival bands put together matching outfits of red blazers and wide trousers. Four or five little shops opened up nearby selling the same kind of thing, imitating me -- that whole little strip down there started with Tropicál." Natalie nodded. "Okay, I knew that, I guess. But it's not the same as *really* making a difference, is it?" Link flicked his butt to the curb. "You're changing people's lives for the better either way, right?" "Exactly," Alan said. Then Link grinned. "But there's something pretty, oh, I dunno, *ballsy*, about this wireless thing, yeah? It's not the same." "Not the same," Alan said grinning. "Better." "How can we help?" # Kurt had an assembly line cranking out his access points now. Half a dozen street kids worked in the front of his place, in a cleared-out space with a makeshift workbench made from bowed plywood and scratched IKEA table-legs. It made Alan feel better to watch them making sense of it all, made him feel a little like he felt when he was working on The Inventory. The kids worked from noon, when Kurt got back from breakfast, until 9 or 10, when he went out to dive. The kids were smart, but screwed up: half by teenaged hormones and half by bad parents or bad drugs or just bad brain chemistry. Alan understood their type, trying to carve some atom of individual identity away from family and background, putting pins through their bodies and affecting unconvincing tough mannerisms. They were often bright -- the used bookstore had been full of their type, buying good, beat-up books off the sale rack for 50 cents, trading them back for 20 cents' credit the next day, and buying more. Natalie and Link were in that morning, along with some newcomers, Montreal street punks trying their hand at something other than squeegee bumming. The punks and his neighbors gave each other uneasy looks, but Alan had deliberately put the sugar for the coffee at the punks' end of the table and the cream in front of Natalie and the stirs by the bathroom door with the baklava and the napkins, so a rudimentary social intercourse was begun. First, one of the punks (who had a rusty "NO FUTURE" pin that Alan thought would probably go for real coin on the collectors' market) asked Natalie to pass her the cream. Then Link and another punk (foppy silly black hair and a cut-down private school blazer with the short sleeves pinned on with rows of safety pins) met over the baklava, and the punk offered Link a napkin. Another punk spilled her coffee on her lap, screeching horrendous Quebecois blasphemies as curses, and that cracked everyone up, and Arnold, watching from near the blanket that fenced off Kurt's monkish sleeping area, figured that they would get along.