The parish church of _St Mary Magdalene_, though far the finest church
in Taunton, was originally only a subordinate chapel-of-ease to the
monastery. It is a spacious building, noteworthy for its imposing tower
and quadruple aisles. Its probable designer was Sir R. Bray, Henry
VII.'s architect, and the king is supposed to have contributed to its
erection. The present tower is claimed to be a conscientious
reproduction of the original fabric, removed in 1858 as dangerous. It
is a lofty and ornate structure of four storeys, decorated with a
triple tier of double windows, and divided at the stages by bands of
quatrefoils. A crown of elaborate tabernacle work--a perfect medley of
battlements and pinnacles--forms the cresting. The general design,
though highly artificial, is well balanced. Note (1) the stoups on
either side of the W. doorway; (2) the carvings (part of the original
fabric) in the spandrels above. The S. porch--a very successful and
noteworthy feature of the church--is dated 1508, The rest of the
building must be nearly contemporaneous. The interior is rich, but
somewhat devoid of interest. Note (1) the four aisles--an unusual
arrangement, occurring also at Manchester Cathedral and St Michael's,
Coventry; (2) the E.E. piers to N. aisle; (3) the fine oak roof of
nave; (4) canopied figure (modern) of St Mary Magdalene on one of the
nave piers; (5) monument of Robert Gray, with a laudatory and rhyming
epitaph in N. wall; (6) figures of apostles between clerestory lights
(cp. Bruton). _St James's Church_ has a good tower with turret and
spirelet--likewise rebuilt. The interior is well proportioned and gains
an air of great spaciousness from an unusually lofty chancel. The most
noteworthy feature of the church is its splendid font, richly adorned
with figures of apostles and ecclesiastics. The pulpit is dated 1633.
Hard by, and in close proximity to the county cricket ground, is the
_Priory Barn_, the only remnant of Taunton's once considerable and
wealthy priory: note the windows--perhaps insertions from other
fragments of the monastic buildings. _The Castle_, after centuries of
complete neglect, underwent a well-intentioned but unfortunate
restoration by Sir B. Hammet, but is now in the appropriate possession
of the Somerset Archaeological Society, who have transformed it into a
museum. The buildings, as they now stand, include (1) an outer
gateway--the Castle Bow--now incorporated with Clarke's Hotel (note the
portcullis groove); (2) a rectangular block consisting of Edwardian
additions to an original Norm. keep and a great hall (fee for entrance,
2d.). Note (1) the arms of Bishop Langton, of Winchester, and Henry
VII. over central gateway; (2) the drum tower (now the committee-room
and library) at S.W. corner; (3) the immense thickness of the walls of
the keep with its Norm. buttresses, and the lighter superstructure,
with its Dec. windows, above; (4) the Great Hall, the scene of the
Public-domain text, read in full here on John Shaqi.
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