Next after Dante, the first name of importance in Italian literature is that of Francesca Petrarca, called Petrarch in English. He was the son of a Florentine exile, was born at Aruzzo in 1304, and died at Padua in 1374. He was a scholar and a diplomat, and was entrusted with many public services. Most of his active life he spent at Avignon, at the papal court, or in Vaucluse near by. When he was twenty-three, he met Laura, the beautiful woman with whom he was always after in love, and who was the inspiration of all his lyric poetry. She was the daughter of a citizen of Avignon, and was married, probably to Ugo de Sade of Avignon. She was a good woman whose character was ever above reproach. Petrarch was a very industrious writer. He produced many letters and treatises in Latin, besides a long Latin epic Africa. But his great and deserved fame rests upon his Italian lyric poetry--the Canzoniere. The Canzoniere is divided into three parts: the poems to Laura in life; to Laura in death; and the Triumphs. The Triumphs are inferior in merit to the other two parts. He had studied closely the Provencall poets, and had something of their spirit. I. To Laura in Life. SONNET III. HE BLAMES LOVE FOR WOUNDING HIM ON A HOLY DAY (GOOD FRIDAY). 'Twas on the morn' when heaven its blessed ray In pity to its suffering master veil'd, First did I, Lady, to your beauty yield, Of your victorious eyes th' unguarded prey. Ah! little reck'd I that, on such a day, Needed against Love's arrows any shield; And trod' securely trod, the fatal field: Whence, with the world's, began my heart's dismay. On every side Love found his victim bare, And through mine eyes transfix'd my throbbing heart; Those eyes, which now with constant sorrows flow: But poor the triumph of his boasted art, Who thus could pierce a naked youth nor dare To you in armour mail'd even to display his bow! --Wrangham. SONNET XIV. HE COMPARES HIMSELF TO A PILGRIM. The palmer bent, with locks of silver gray, Quits the sweet spot where he has pass'd his years, Quits his poor family, whose anxious fears Paint the loved father fainting on his way; And trembling, on his aged limbs slow borne, In these last days that close his earthly course, He, in his soul's strong purpose, finds new force, Though weak with age, though by long travel worn: Thus reaching Rome, led on by pious love, He seeks the image of that Saviour Lord Whom soon he hopes to meet in bliss above: So, oft in other forms I seek to trace Some charm, that to my heart may yet afford A faint resemblance of thy matchless grace. --Dacre SONNET XCVIII. LEAVE-TAKING.