Songs of the West: Folk Songs of Devon & Cornwall Collected from the Mouths of the PeopleBaring-Gould, S. (Sabine)
General
Songs of the West: Folk Songs of Devon & Cornwall Collected from the Mouths of the People
Baring-Gould, S. (Sabine)
Ballads, English; Folk songs, English
The ballad is in Dixon's "Songs of the English Peasantry," 1846,
as taken down by him from oral recitation in Yorkshire in 1845.
It exists in a chap-book, under the title of "The Crafty Farmer,"
published in 1796. In Yorkshire the song goes by the name of "Saddle
to Rags"; there, and elsewhere in the North of England, it is sung to
the tune of "The Rant," better known as "How happy could I be with
either." It has been published as a Scottish ballad in Maidment's
"Ballads and Songs," Edinburgh, 1859. It is given in Kidson's
"Traditional Tunes." The words also in "A Pedlar's Pack," by Logan,
Edinburgh, 1849. The tune to which this ballad is sung in Devonshire
is quite distinct.
19. THE MONTHS OF THE YEAR. Still a popular song among farm
labourers. Three versions of the air and words were taken down--one
at South Brent, one at Belstone, one at Post Bridge. The air is
clearly an old dance tune. The version we preferred was that given us
by J. Potter, farmer, of Merripit, Post Bridge. For like songs, see
"English County Songs," p. 143, and Barrett's "Folk-Songs." Barrett
has the same air as ours, but in triple time. That a similar song
should be found on the Continent is not wonderful; see "Les Douze
Mois de l'année" in Coussemaker: "Les Flamands de France," p. 133.
20. THE CHIMNEY SWEEP. Taken down from J. Helmore, miller, South
Brent. The first verse occurs in one of James Catnach's chap-books:
"The Cries of London," _circ._ 1815.
The tune is possibly based on one used by the Savoyard sweeps, for
Tiersot refers to one such: "Avec sa bizarre vocalise descendante,
d'un accent si étrange dans sa rudesse montagnarde--
"Ramonez-ci, ramonez-là,
Sh-a-a-a-ah
La cheminée du haut en bas."
And this corresponds with the passage, "Aye and there," with its
curious descent in our tune: Tiersot, "Hist. de la Chanson Populaire
en France," Paris, 1889, p. 143.
21. THE SAUCY SAILOR. Words and melody taken from James Parsons. A
Broadside with a different ending printed by Disley, Pitts, Such &
Hodges. Also Tozer's "Forty Sailors' Songs," Boosey, No. 33. The
usual air to which this song is sung in Devon is of a much earlier
character; but we give this as more agreeable to modern ears. Barrett
gives the song in his "English Folk-Songs," No. 32, to a different
tune.
22. BLUE MUSLIN. Taken down, words and music, from John Woodrich,
blacksmith. Muslin was introduced into England in 1670, and cork in
1690. Both are spoken of as novelties, and muslin is sung to the old
form of the word, mous-el-ine.
Miss F. Crossing sent me another version of the words, taken down
from an old woman in South Devon, in or about 1850--
"'My man John, what can the matter be?'
'I love a lady, and she won't love me.'
'Peace, sir, peace, and don't despair,
The lady you love will be your only care;
And it must be gold to win her.'
Public-domain text, read in full here on John Shaqi.
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