Songs of the West: Folk Songs of Devon & Cornwall Collected from the Mouths of the PeopleBaring-Gould, S. (Sabine)
General
Songs of the West: Folk Songs of Devon & Cornwall Collected from the Mouths of the People
Baring-Gould, S. (Sabine)
Ballads, English; Folk songs, English
One by one the ships engaged in
the mutiny began to drop off, and at last the _Sandwich_, Parker's
flagship, ran in under the batteries and delivered up the ringleader.
Parker was hung at the yard-arm on June 30. The ballad was composed
at the time, and obtained a wide circulation by appearing on
Broadsides.
At the Exeter Assizes in 1828, John C. Parker, son of Richard Parker,
obtained a verdict against his aunts for the possession of an estate
called Shute, which had belonged to his father's elder brother. The
question turned upon the legitimacy of the plaintiff, which was
proved by his mother, a woman who exhibited the remains of uncommon
beauty, and who was a Scottish woman, married to Richard Parker in
1793.
24. THE HELSTON FURRY DANCE. On May 8, annually, a festival is held
at Helston, in Cornwall, to celebrate the incoming of spring. Very
early in the morning a party of youths and maidens go into the
country, and return dancing through the streets to a quaint tune,
peculiar to the day, called the "Furry Dance." At eight o'clock the
"Hal-an-tow" is sung by a party of from twenty to thirty men and
boys who come into the town bearing green branches, with flowers
in their hats, preceded by a single drum, on which a boy beats the
Furry Dance. They perambulate the town for many hours, stopping at
intervals at some of the principal houses.
At one o'clock a large party of ladies and gentlemen, in summer
attire--the ladies decorated with garlands of flowers, the gentlemen
with nosegays and flowers in their hats, assemble at the Town Hall,
and proceed to dance after the band, playing the traditional air.
They first trip in couples, hand in hand, during the first part
of the tune, forming a string of from thirty to forty couples, or
perhaps more; at the second part of the tune the first gentleman
turns with both hands the lady behind him, and her partner turns
in like manner with the first lady; then each gentleman turns his
own partner, and then they trip on as before. The other couples, of
course, pair and turn in the same way, and at the same time.
The dancing is not confined to the streets; the house doors are
thrown open, and the train of dancers enters by the front, dances
through the house, and out at the back, through the garden, and back
again. It is considered a slight to omit a house. Finally the train
enters the Assembly Room and there resolves itself into an ordinary
waltz.
As soon as the first party is finished, another goes through the same
evolutions, and then another, and so on, and it is not till late at
night that the town returns to its peaceful propriety.
Public-domain text, read in full here on John Shaqi.
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