I have thought it advisable to modify the last line of each stanza, and to compose a last stanza, so as to give to the song a less objectionable character. A somewhat similar ballad exists in France, as "Marianne," in Lemoine, "Chansons du Limousin," Limoges, 1890; in Daymard, "Vieux chants populaires de Quercy," Cahors, 1889; "Le Jaloux," in Bladé, "Poésies populaires de Gascogne," 1881. But, in fact, all these songs are the versification of an old troubadour tale, that is given in Barbazan, "Fabliaux et contes des poètes François xi.-xiv. siècles," as the "Chevalier à la robe vermeille," t. iii. p. 296. Alphonse Daudet, in "Numa Roumestan," introduces a great portion of the ballad. He says, "C'est sur un air grave comme du plain-chant." In the midst of the song, the person reciting it breaks off, and transported by enthusiasm exclaims: "Ça, voyez-vous, mes enfants, c'est _bo_ (beau) comme du Shakespeare." 31. JAN'S COURTSHIP. Words and air from Mr. R. Rowe, Longabrook, Milton Abbot. Another set, slightly different, from Mr. Crossing; another, practically identical, from Mr. Chowen, Brentor. As "Robin's Courtship," the song was recovered by Mr. E.T. Wedmore of Bristol, in Somersetshire. It has also been noted in the same county by Mr. Sharp as "William the Rose," sung to the tune of "Lillibulero." It is found in "The Universal Songster," _circ._ 1830, as "Poor Bob." In the "Roxburgh Ballads," vi. pp. 216-7, is what is probably the earliest form--"Come hither my dutiful son, and take counsel of me." This was sung to the air "Grim King of the Ghosts." Another version is referred to in the "Beggars' Opera," Act III. Sc. viii., "Now Roger I'll tell thee, because thou'rt my son." Our tune is rugged, and Somersetshire in character. It is in the Æolian mode. 32. THE DROWNED LOVER. Taken down from James Parsons. This is a very early song. It first appears as "Captain Digby's Farewell," in the "Roxburgh Ballads," iv. p. 393, printed in 1671. In Playford's "Choice Ayres," 1676, i. p. 10, it was set to music by Mr. Robert Smith. Then it came to be applied to the death of the Earl of Sandwich, after the action in Sole Bay, 1673. A black letter ballad, date _circ._ 1676, is headed, "To the tune of the Earl of Sandwich's Farewell." The original song consisted of three stanzas only; it became gradually enlarged and somewhat altered, and finally Sam Cowell composed a burlesque on it, which has served more or less to corrupt the current versions of the old song, printed on Broadsides by Catnach, Harkness, and others. The black letter ballad of 1673 begins-- "One morning I walked by myself on the shoar When the Tempest did cry and the Waves they did roar, Yet the music of the Winds and the Waters was drownd By the pitiful cry, and the sorrowful sound, Oh! Ah! Ah! Ah! my Love's dead. There is not a bell But a Triton's shell, To ring, to ring, to ring my Love's knell."