Mystery fiction; Race relations -- Fiction; Southern States -- Fiction
In the wing-room Virdow and Gerald were getting ready for an experiment
with flashlight photography. Refusing to be hurried in his scientific
investigations, Gerald had insisted that until it had been proven that a
living substance could hold a photographic imprint he should not advance
to the consideration of Virdow's theory. There must be brain pictures
before there could be mind pictures. At least, so he reasoned. None of
them knew exactly what his experiment was to be, except that he was
going to test the substance that envelopes the body of the bass, the
micopterus salmoides of southern waters. That sensitive plate, thinner
than art could make it, was not only spoiled by exposure to light, but
by light and air combined was absolutely destroyed. And the difficulty
of controlling the movements of this fish seemed absolutely insuperable.
They could only watch the experimenter.
Into a thin glass jar Gerald poured a quantity of powder, which he had
carefully compounded during the day. Virdow saw in it the silvery
glimmer of magnesium. What the combined element was could not be
determined. This compound reached only a third of the distance up the
side of the glass. The jar was then stopped with cork pierced by a
copper wire that touched the powder, and hermetically sealed with wax.
With this under one arm, and a small galvanic battery under the other,
and restless with suppressed excitement, Gerald, pointing to a small
hooded lantern, whose powerful reflector was lighting one end of the
room, bade them follow him.
Virdow and Edward obeyed. With a rapid stride Gerald set out across
fields, through strips of woodlands and down precipitous slopes until
they stood all breathless upon the shore of the little lake. There they
found the flat-bottom bateau, and although by this time both Edward and
Virdow had begun seriously to doubt the wisdom of blindly following such
a character, they resigned themselves to fate and entered.
Public-domain text, read in full here on John Shaqi.
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