Mystery fiction; Race relations -- Fiction; Southern States -- Fiction
"She came," he said, "searching for me. I was blind then; they had been
careless with their blasting--my eyes were gone, my hair white, my face
scarred. She did not know me. Her voice was divine! Her name has been in
the mouths of all men. She came and sang at Christmas, to the prisoners,
the glorious hymns of her church, and she sang to me. It was a song that
none there knew but me--my song! Had she watched my face, then, she
would have known; but how could she suspect me, the blind, the scarred,
the gray? She passed out forever. And I, harmless, helpless, soon
followed--pardoned. I knew her name; I made my way to Paris to be near
that voice; and the years passed; I was poor and blind. It cost money to
hear her."
Trembling with emotion, Edward whispered: "Her name?" Benoni shook his
head and slowly extended his withered arms. The woolen wristlets had
been removed, there were the white scars, the marks of the convict's
long-worn irons.
"I have forgiven her; I will not bring her disgrace."
"Cambia?" said Edward, unconsciously. There was a loud cry; the old man
half-rose and sank back, baffled by his weakness.
"Hush! Hush!" he gasped; "it is my secret; swear to me you will keep it;
swear to me, swear!"
"I swear it, Benoni, I swear it." The old man seemed to have fallen
asleep; it was a stupor.
"She came," he said, "years ago and offered me gold. It was to be the
last effort of her life. She could not believe but that her husband was
in Paris and might be found. She believed the song would find him. I had
been suggested to her because my music and figure were known to all the
boulevards. I was blind and could never know her. But I knew her voice.
"She went, veiled to avoid recognition; she stood by me at a certain
place on the boulevard where people gather in the evening and sang. What
a song. The streets were blocked, and men, I am told, uncovered before
the sacred purity of that voice, and when all were there who could hear
she sang our song; while I, weeping, played the accompaniment, ay, as no
man living or dead could have played it. Always in the lines--
"Oceans may roll between
Thy home and thee."
--her voice gave way. They called it art.
"Well, I thought, one day I will tell; it was always the next day, but I
knew, as she sang, in her mind must have arisen the picture of that
husband standing by her side--ah, my God, I could not, I could not;
blind, scarred, a felon, I could not; I was dead! It was bitter!
"And then she came to me and said: 'Good Benoni, your heart is true and
tender; I thank you; I have wealth and plenty; here is gold, take it in
memory of a broken heart you have soothed.' I said:
"'The voice of that woman, her song, are better than gold. I have them.'
I went and stood in the door as she, weeping, passed out. She lifted her
veil and touched the forehead of the old musician with her lips, and
then--I hardly knew! I was lying on the floor when Annette came to bring
my tea."
Public-domain text, read in full here on John Shaqi.
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