Mystery fiction; Race relations -- Fiction; Southern States -- Fiction
Then the two men beheld a strange thing; the object of that nervous
action was not the violin itself. A string accidentally touched by her
sparkling ring gave out a single minor note that startled her, but only
for a second did she pause and look around. Pressing firmly upon a spot
near the inner side of the lid she drew out a little panel of wood and
from the shallow cavity exposed, lifted quickly several folded papers,
which she opened. Then, half rising, she wavered and sank back fainting
upon the floor. The silence was broken. A cry burst from the lips of the
old general.
"Marion! My child." In an instant he was by her side lifting and
caressing her. "Speak to me, daughter," he said. "It has been long, so
long. That face, that face! Child, it is your mother's as I saw it last.
Marion, look up; it is I, your father." And then he exclaimed
despairingly, as she did not answer him, "She is dead!"
"It is not serious, General," said Edward hurriedly. "See, she is
reviving." Cambia steadied herself by a supreme effort and thrust back
the form that was supporting her.
"Who calls Marion?" she cried wildly. "Marion Evan is dead! Cambia is
dead! I am the Countess Levigne." Her voice rang out in the hall and her
clenched hand held aloft, as though she feared they might seize them,
the papers she had plucked from the violin case. Then her eyes met the
general's; she paused in wonder and looked longingly into his aged face.
Her voice sank to a whisper: "Father, father! Is it indeed you? You at
last?" Clinging to the hands extended toward her she knelt and buried
her face in them, her form shaking with sobs. The old man's tall figure
swayed and trembled.
"Not there, Marion, my child, not there. 'Tis I who should kneel! God
forgive me, it was I who--"
"Hush, father, hush! The blame was mine. But I have paid for it with
agony, with the better years of my life.
"But I could not come back until I came as the wife of the man I loved;
I would not break your heart. See! I have the papers. It was my
husband's violin." She hid her face in his bosom and let the tears flow
unchecked.
Edward was standing, white and silent, gazing upon the scene; he could
not tear himself away. The general, his voice unsteady, saw him at last.
A smile broke through his working features and shone in his tearful
eyes:
"Edward, my boy, have you no word? My child has come home!" Marion
lifted her face and drew herself from the sheltering arms with sudden
energy.
"Edward," she said, gently and lovingly. "Edward!" Her eyes grew softer
and seemed to caress him with their glances. She went up to him and
placed both hands upon his shoulders. "His child, and your mother!"
"My mother, my mother!" The words were whispers. His voice seemed to
linger upon them.
"Yes! Cambia, the unhappy Marion, the Countess Levigne and your mother!
No longer ashamed to meet you, no longer an exile! Your mother, free to
meet your eyes without fear of reproach!"
Public-domain text, read in full here on John Shaqi.
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