Lupin had married an heiress in wooden shoes and blue woollen stockings,
the only daughter of a salt-dealer, who made his money during the
Revolution,--a period when contraband salt-traders made enormous profits
by reason of the reaction that set in against the gabelle. He prudently
left his wife at home, where Bebelle, as he called her, was supported
under his absence by a platonic passion for a handsome clerk who had no
other means than his salary,--a young man named Bonnac, belonging to the
second-class society, where he played the same role that his master, the
notary, played in the first.
Madame Lupin, a woman without any education whatever, appeared on great
occasions only, under the form of an enormous Burgundian barrel dressed
in velvet and surmounted by a little head sunken in shoulders of a
questionable color. No efforts could retain her waist-belt in its
natural place. “Bebelle” candidly admitted that prudence forbade her
wearing corsets. The imagination of a poet or, better still, that of an
inventor, could not have found on Bebelle’s back the slightest trace of
that seductive sinuosity which the vertebrae of all women who are women
usually produce. Bebelle, round as a tortoise, belonged to the genus of
invertebrate females. This alarming development of cellular tissue no
doubt reassured Lupin on the subject of the platonic passion of his fat
wife, whom he boldly called Bebelle without raising a laugh.
“Your wife, what is she?” said Sarcus the rich, one day, when unable to
digest the fatal word “superannuated,” applied to a piece of furniture
he had just bought at a bargain.
“My wife is not like yours,” replied Lupin; “she is not defined as yet.”
Beneath his rosy exterior the notary possessed a subtle mind, and he had
the sense to say nothing about his property, which was fully as large as
that of Rigou.
Monsieur Lupin’s son, Amaury, was a great trouble to his father. An
only son, and one of the Don Juans of the valley, he utterly refused
to follow the paternal profession. He took advantage of his position as
only son to bleed the strong-box cruelly, without, however, exhausting
the patience of his father, who would say after every escapade, “Well,
I was like that in my young days.” Amaury never came to Madame Soudry’s;
he said she bored him; for, with a recollection of her early days, she
attempted to “educate” him, as she called it, whereas he much preferred
the pleasures and billiards of the Cafe de la Paix. He frequented the
worst company of Soulanges, even down to Bonnebault. He continued
sowing his wild oats, as Madame Soudry remarked, and replied to all
his father’s remonstrances with one perpetual request: “Send me back to
Paris, for I am bored to death here.”
Public-domain text, read in full here on John Shaqi.
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