These details, together with the deep mystery with which Socquard
manufactured his boiled wine, are sufficient to explain why his name and
that of the Cafe de la Paix were popular; but there were other reasons
for their renown. Nothing better than wine could be got at Tonsard’s and
the other taverns in the valley; from Conches to Ville-aux-Fayes, in
a circumference of twenty miles, the Cafe Socquard was the only place
where the guests could play billiards and drink the punch so admirably
concocted by the proprietor. There alone could be found a display of
foreign wines, fine liqueurs, and brandied fruits. Its name resounded
daily throughout the valley, accompanied by ideas of superfine sensual
pleasures such as men whose stomachs are more sensitive than their
hearts dream about. To all these causes of popularity was added that of
being an integral part of the great festival of Soulanges. The Cafe de
la Paix was to the town, in a superior degree, what the tavern of the
Grand-I-Vert was to the peasantry,--a centre of venom; it was the point
of contact and transmission between the gossip of Ville-aux-Fayes and
that of the valley. The Grand-I-Vert supplied the milk and the Cafe
de la Paix the cream, and Tonsard’s two daughters were in daily
communication between the two.
To Socquard’s mind the square of Soulanges was merely an appendage to
his cafe. Hercules went from door to door, talking with this one and
that one, and wearing in summer no other garment than a pair of trousers
and a half-buttoned waistcoat. If any one entered the tavern, the
people with whom he gossiped warned him, and he slowly and reluctantly
returned.
Rigou stopped his horse, and getting out of the chaise, fastened the
bridle to one of the posts near the gate of the Tivoli. Then he made a
pretext to listen to what was going on without being noticed, and placed
himself between two windows through one of which he could, by advancing
his head, see the persons in the room, watch their gestures, and catch
the louder tones which came through the glass of the windows and which
the quiet of the street enabled him to hear.
“If I were to tell old Rigou that your brother Nicolas is after La
Pechina,” cried an angry voice, “and that he waylays her, he’d rip the
entrails out of every one of you,--pack of scoundrels that you are at
the Grand-I-Vert!”
“If you play me such a trick as that, Aglae,” said the shrill voice of
Marie Tonsard, “you sha’n’t tell anything more except to the worms in
your coffin. Don’t meddle with my brother’s business or with mine and
Bonnebault’s either.”
Marie, instigated by her grandmother, had, as we see, followed
Bonnebault; she had watched him through the very window where Rigou
was now standing, and had seen him displaying his graces and paying
compliments so agreeable to Mademoiselle Socquard that she was forced to
smile upon him. That smile had brought about the scene in the midst of
which the revelation that interested Rigou came out.
Public-domain text, read in full here on John Shaqi.
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