Seeing these lovely preparations of Nature, the fancy had seized Olympe
Michaud to accompany her husband, who had to give an order to a keeper
whose house was not far off. The Soulanges doctor advised her to walk
as long as she could do so without fatigue; she was afraid of the midday
heat and went out only in the early morning or evening. Michaud now
took her with him, and they were followed by the dog he loved best,--a
handsome greyhound, mouse-colored with white spots, greedy, like all
greyhounds, and as full of vices as most animals who know they are loved
and petted.
So, then the tilbury reached the pavilion of the Rendezvous, the
countess, who stopped to ask how Madame Michaud felt, was told she had
gone into the forest with her husband.
“Such weather inspires everybody,” said Blondet, turning his horse at
hazard into one of the six avenues of the forest; “Joseph, you know the
woods, don’t you?”
“Yes, monsieur.”
And away they went. The avenue they took happened to be one of the
most delightful in the forest; it soon turned and grew narrower, and
presently became a winding way, on which the sunshine flickered through
rifts in the leafy roof, and where the breeze brought odors of lavender,
and thyme, and the wild mint, and that of falling leaves, which sighed
as they fell. Dew-drops on the trees and on the grass were scattered
like seeds by the passing of the light carriage; the occupants as
they rolled along caught glimpses of the mysterious visions of the
woods,--those cool depths, where the verdure is moist and dark, where
the light softens as it fades; those white-birch glades o’ertopped
by some centennial tree, the Hercules of the forest; those glorious
assemblages of knotted, mossy trunks, whitened and furrowed, and the
banks of delicate wild plants and fragile flowers which grow between a
woodland road and the forest. The brooks sang. Truly there is a nameless
pleasure in driving a woman along the ups and downs of a slippery way
carpeted with moss, where she pretends to be afraid or really is so, and
you are conscious that she is drawing closer to you, letting you feel,
voluntarily or involuntarily, the cool moisture of her arm, the weight
of her round, white shoulder, though she merely smiles when told that
she hinders you in driving. The horse seems to know the secret of these
interruptions, and he looks about him from right to left.
Public-domain text, read in full here on John Shaqi.
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