Some seven or eight hundred acres of the forest of Les Aigues lie along the banks of the Avonne; and to preserve the majestic beauty of the river the large trees that border it have been left untouched for a distance of three leagues on both sides in an almost straight line. The mistress of Henri IV., to whom Les Aigues formerly belonged, was as fond of hunting as the king himself. In 1593 she ordered a bridge to be built of a single arch with shelving roadway by which to ride from the lower side of the forest to a much larger portion of it, purchased by her, which lay upon the slopes of the hills. The gate of the Avonne was built as a place of meeting for the huntsmen; and we know the magnificence bestowed by the architects of that day upon all buildings intended for the delight of the crown and the nobility. Six avenues branched away from it, their place of meeting forming a half-moon. In the centre of the semi-circular space stood an obelisk surmounted by a round shield, formerly gilded, bearing on one side the arms of Navarre and on the other those of the Countess de Moret. Another half-moon, on the side toward the river, communicated with the first by a straight avenue, at the opposite end of which the steep rise of the Venetian-shaped bridge could be seen. Between two elegant iron railings of the same character as that of the magnificent railing which formerly surrounded the garden of the Place Royale in Paris, now so unfortunately destroyed, stood a brick pavilion, with stone courses hewn in facets like those of the chateau, with a very pointed roof and window-casings of stone cut in the same manner. This old style, which gave the building a regal air, is suitable only to prisons when used in cities; but standing in the heart of forests it derives from its surroundings a splendor of its own. A group of trees formed a screen, behind which the kennels, an old falconry, a pheasantry, and the quarters of the huntsmen were falling into ruins, after being in their day the wonder and admiration of Burgundy. In 1595, the royal hunting-parties set forth from this magnificent pavilion, preceded by those fine dogs so dear to Rubens and to Paul Veronese; the huntsmen mounted on high-steeping steeds with stout and blue-white satiny haunches, seen no longer except in Wouverman’s amazing work, followed by footmen in livery; the scene enlivened by whippers-in, wearing the high top-boots with facings and the yellow leathern breeches which have come down to the present day on the canvas of Van der Meulen. The obelisk was erected in commemoration of the visit of the Bearnais, and his hunt with the beautiful Comtesse de Moret; the date is given below the arms of Navarre. That jealous woman, whose son was afterwards legitimatized, would not allow the arms of France to figure on the obelisk, regarding them as a rebuke.