When the wetted cloth is passed over the surface of a glass tube
the film of liquid left behind by the cloth is seen forming narrow
tremulous rings all along the rod. Now this shivering of the liquid is
due to the shivering of the glass underneath it, and it is possible
so to augment the intensity of the vibration that the glass shall
actually go to pieces. Savart was the first to show this. Twice in this
place I have repeated this experiment, sacrificing in each case a fine
glass tube 6 feet long and 2 inches in diameter. Seizing the tube at
its centre C, Fig. 86, I swept my hand vigorously to and fro along C
D, until finally the half most distant from my hand was shivered into
annular fragments. On examining these it was found that, narrow as they
were, many of them were marked by circular cracks indicating a still
more minute subdivision.
In this case also the rapidity of vibration is inversely proportional
to the length of the rod. A rod of half the length vibrates
longitudinally with double the rapidity, a rod of one-third the length
with treble the rapidity, and so on. The time of a complete vibration
being that required by the pulse to travel to and fro over the rod, and
that time being directly proportional to the length of the rod, the
rapidity of vibration must, of necessity, be in the inverse proportion.
This division of a rod by a single node at its centre corresponds to
the deepest tone produced by its longitudinal vibration. But, as in
all other cases hitherto examined, such rods can subdivide themselves
further. Holding the long glass rod _a e_, Fig. 87, at a point _b_,
midway between its centre and one of its ends, and rubbing its short
section, _a b_, with a wet cloth, the point _b_ becomes a node, a
second node, _d_, being formed at the same distance from the opposite
end of the rod. Thus we have the rod divided into three vibrating
parts, consisting of one whole ventral segment, _b d_, and two half
ones, _a b_ and _d e_. The sound corresponding to this division of the
rod is the octave of its fundamental note.
[Illustration: FIG. 86.]
[Illustration: FIG. 87.]
You have now a means of checking me. For, if the second mode of
division just described produces the octave of the fundamental note,
and if a rod of half the length produces the same octave, then the
whole rod held at a point one-fourth of its length from one of its ends
ought to emit the same note as the half rod held in the middle. When
both notes are sounded together they are heard to be identical in pitch.
[Illustration: FIG. 88.]
Fig. 88, _a_ and _b_, _c_ and _d_, _e_ and _f_, shows the three first
divisions of a rod free at both ends and vibrating longitudinally. The
nodes, as before, are marked by transverse dots, the direction of the
pulses being shown by arrows. The order of the tones is that of the
numbers, 1, 3, 4, etc.
§ 6. _Action of Sonorous Vibrations on Polarized Light_
Public-domain text, read in full here on John Shaqi.
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