Let the prong, vibrating between the limits _a_ and _b_, be placed over
its resonant jar, A B, Fig. 93. In the time required by the prong to
move from _a_ to _b_, the condensation it produces runs down to the
bottom of the jar, is there reflected, and, as the distance to the
bottom and back is 26 inches, the reflected wave will reach the fork at
the moment when it is on the point of returning from _b_ to _a_. The
rarefaction of the wave is produced by the retreat of the prong from
_b_ to _a_. This rarefaction will also run to the bottom of the jar and
back, overtaking the prong just as it reaches the limit, _a_, of its
excursion. It is plain from this analysis that the vibrations of the
fork are perfectly synchronous with the vibrations of the aërial column
A B; and in virtue of this synchronism the motion accumulates in the
jar, spreads abroad in the room, and produces this vast augmentation of
the sound.
When we substitute for the air in one of these jars a gas of different
elasticity, we find the length of the resounding column to be
different. The velocity of sound through coal-gas is to its velocity
in air about as 8:5. Hence, to synchronize with our fork, a jar filled
with coal-gas must be deeper than one filled with air. I turn this
jar, 18 inches long, upside down, and hold close to its open mouth our
agitated tuning-fork. It is scarcely audible. The jar, with air in it,
is 5 inches too deep for this fork. Let coal-gas now enter the jar. As
it ascends the note at a certain point swells out, proving that for the
more elastic gas a depth of 18 inches is not too great. In fact, it
is not great enough; for if too much gas be allowed to enter the jar
the resonance is weakened. By suddenly turning the jar upright, still
holding the fork close to its mouth, the gas escapes, and at the point
of proper admixture of gas and air the note swells out again.[45]
§ 9. _Reinforcement of Bell by Resonance_
This fine, sonorous bell, Fig. 94, is thrown into intense vibration
by the passage of a resined bow across its edge. You hear its sound,
pure, but not very forcible. When, however, the open mouth of this
large tube, which is closed at one end, is brought close to one of the
vibrating segments of the bell, the tone swells into a musical roar.
As the tube is alternately withdrawn and advanced, the sound sinks and
swells in this extraordinary manner.
[Illustration: FIG. 94.]
The second tube, open at both ends, is capable of being lengthened
and shortened by a telescopic slider. When brought near the vibrating
bell, the resonance is feeble. On lengthening the tube by drawing out
the slider at a certain point, the tone swells out as before. If the
tube be made longer, the resonance is again enfeebled. Note the fact,
which shall be explained presently, that the open tube which gives the
maximum resonance is exactly twice the length of the closed one. For
these fine experiments we are indebted to Savart.
§ 10. _Expenditure of Motion in Resonance_
Public-domain text, read in full here on John Shaqi.
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