The condition of the air within an open organ-pipe, when its
fundamental note is sounded, is that of a rod free at both ends, held
at its centre, and caused to vibrate longitudinally. The two ends
are places of vibration, the centre is a node. Is there any way of
_feeling_ the vibrating air-column so as to determine its nodes and
its places of vibration? The late excellent William Hopkins has taught
us the following mode of solving this problem: Over a little hoop is
stretched a thin membrane, forming a little tambourine. The front of
this organ-pipe, P P′, Fig. 101, is of glass, through which you can see
the position of any body within it. By means of a string, the little
tambourine, _m_, can be raised or lowered at pleasure through the
entire length of the pipe. When held above the upper end of the pipe,
you hear the loud buzzing of the membrane. When lowered into the pipe,
it continues to buzz for a time; the sound becoming gradually feebler,
and finally ceasing totally. It is now in the middle of the pipe, where
it cannot vibrate, because the air around it is at rest. On lowering it
still further, the buzzing sound instantly recommences, and continues
down to the bottom of the pipe. Thus, as the membrane is raised and
lowered in quick succession, during every descent and ascent, we have
two periods of sound separated from each other by one of silence. If
sand were strewed upon the membrane, it would dance above and below,
but it would be quiescent at the centre. We thus prove experimentally
that, when an organ-pipe sounds its fundamental note, it divides itself
into two semi-ventral segments separated by a node.
[Illustration: FIG. 102.]
What is the condition of the air at this node? Again, that of the
middle of a rod, free at both ends, and yielding the fundamental note
of its longitudinal vibration. The pulses reflected from both ends
of the rod, or of the column of air, meet in the middle, and produce
compression; they then retreat and produce rarefaction. Thus, while
there is no vibration in the centre of an organ-pipe, the air there
undergoes the greatest changes of density. At the two ends of the pipe,
on the other hand, the air-particles merely swing up and down without
sensible compression or rarefaction.
Public-domain text, read in full here on John Shaqi.
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