I permitted a vein to descend, under scarcely any pressure, from a tube
three-quarters of an inch in diameter, and to enter silently a basin of
water placed nearly 20 inches below the orifice. On sounding vigorously
a Ut_{2} tuning-fork the pellucid jet was instantly broken, and as
many as three of its swellings were seen above the surface. The rattle
of air-bubbles was instantly heard, and the basin was seen to be filled
with them. The sound was allowed slowly to die out; the continuous
portion of the vein lengthened, and a series of alternations in the
production of the bubbles was observed. When the swellings of the vein
cut the surface of the water, the bubbles were copious and loud; when
the contracted portions crossed the surface, the bubbles were scanty
and scarcely audible.
Removing the basin, placing an iron tray in its place, and exciting the
fork, the vein, which at first struck silently upon the tray, commenced
a rattle which rose and sank with the dying out of the sound, according
as the swellings or contractions of the jet impinged upon the surface.
This is a simple and beautiful experiment.
[Illustration: FIG. 143.]
[Illustration: FIG. 144.]
[Illustration: FIG. 145.]
Savart also caused his vein to issue horizontally and at various
inclinations to the horizon, and found that, in certain cases,
sonorous vibrations were competent to cause a jet to divide into two
or three branches. In these experiments the liquid was permitted to
issue through an orifice in a thin plate. Instead of this, however,
we will resort to our favorite steatite burner; for with water also
it asserts the same mastery over its fellows that it exhibited with
flames and smoke-jets. It will, moreover, reveal to us some entirely
novel results. By means of an India-rubber tube the burner is connected
with the water-pipes of the Institution, and, by pointing it obliquely
upward, we obtain a fine parabolic jet (Fig. 143). At a certain
distance from the orifice, the vein resolves itself into beautiful
spherules, whose motions are not rapid enough to make the vein appear
continuous. At the vertex of the parabola the spray of pearls is more
than an inch in width, and, further on, the drops are still more widely
scattered. On sweeping a fiddle-bow across a tuning-fork which executes
512 vibrations in a second, the scattered drops, as if drawn together
by their mutual attractions, instantly close up, and form an apparently
continuous liquid arch several feet in height and span (shown in Fig.
144). As long as the proper note is maintained the vein looks like a
frozen band, so motionless does it appear. On stopping the fork the
arch is shaken asunder, and we have the same play of liquid pearls as
before. Every sweep of the bow, however, causes the drops to fall into
a common line of march.
Public-domain text, read in full here on John Shaqi.
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