You have remarked the almost total absence of sound on the part of a
vibrating tuning-fork when held free in the hand. The feebleness of the
fork as a sounding body arises in part from interference. The prongs
always vibrate in opposite directions, one producing a condensation
where the other produces a rarefaction, a destruction of sound being
the consequence. By simply passing a pasteboard tube over one of the
prongs of the fork, its vibrations are in part intercepted, and an
augmentation of the sound is the result. The single prong is thus
proved to be more effectual than the two prongs. There are positions in
which the destruction of the sound of one prong by that of the other
is _total_. These positions are easily found by striking the fork and
turning it round before the ear. When the back of the prong is parallel
to the ear, the sound is heard; when the side surfaces of both prongs
are parallel to the ear, the sound is also heard; but when the _corner_
of a prong is carefully presented to the ear, the sound is utterly
destroyed. During one complete rotation of the fork we find four
positions where the sound is thus obliterated.
[Illustration: FIG. 160.]
Let _s s_ (Fig. 160) represent the two ends of the tuning-fork, looked
down upon as it stands upright. When the ear is placed at _a_ or _b_,
or at _c_ or _d_, the sound is heard. Along the four dotted lines,
on the contrary, the waves generated by the two prongs completely
neutralize each other, and nothing is there heard. These lines have
been proved by Weber to be hyperbolic curves; and this must be their
character according to the principle of interference.
This remarkable case of interference, which was first noticed by Dr.
Thomas Young, and thoroughly investigated by the brothers Weber, may
be rendered audible by means of resonance. Bringing a vibrating fork
over a jar which resounds to it, and causing the fork to rotate slowly,
in four positions we have a loud resonance; in four others absolute
silence, alternate risings and fallings of the sound accompanying
the fork’s rotation. While the fork is over the jar with its corner
downward and the sound entirely extinguished, let a pasteboard tube
be passed over one of its prongs, as in Fig. 161, a loud resonance
announces the withdrawal of the vibrations of that prong. To obtain
this effect, the fork must be held over the centre of the jar, so that
the air shall be symmetrically distributed on both sides of it. Moving
the fork from the centre toward one of the sides, without altering its
inclination in the least, we obtain a forcible sound. Interference,
however, is also possible near the side of the jar. Holding the fork,
not with its corner downward, but with both its prongs in the same
horizontal plane, a position is soon found near the side of the jar
where the sound is extinguished. In passing completely from side to
side over the mouth of the jar, two such places of interference are
discoverable.
[Illustration: FIG. 161.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account