The whole upper half of the flame was here visible from the reed; hence
the necessity of the foregoing experiments to prove the action of the
sound on the upper portion of the flame to be _nil_, and that the
waves had really to bend round the edge of the screen, so as to reach
the seat of sensitiveness in the neighborhood of the burner.
The positions of the flame and reed were reversed, the latter being now
close behind the screen, and the former at a distance of 6 feet from
it. The sonorous vibrations were without sensible action upon the flame.
The experiment was repeated and varied in many ways. Screens of various
sizes were employed; and, instead of reversing the positions of the
flame and reed, the screen itself was moved, so as to bring in some
experiments the flame, and in other experiments the reed, close behind
it. Care was also taken that no reflected sound from the walls or
ceiling of the laboratory, or from the body of the experimenter, should
have anything to do with the effect. In all cases it was shown that the
sound was effective when the reed was at a distance from the screen,
and the flame close behind it; while the action was insensible when
these positions were reversed.
[Illustration: FIG. 2.]
Thus, let _s e_, Fig. 2, be a vertical section of the screen. When the
reed was at A and the flame at B there was no action; when the reed was
at B and the flame at A the action was decided. It may be added that
the vibrations communicated to the screen itself, and from it to the
air beyond it, were without effect; for when the reed, which at B was
effectual, was shifted to C, where its action on the screen was greatly
augmented, it ceased to have any action on the flame at A.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account