Sir Charles Wheatstone has devised a simple and ingenious optical method for the study of vibrating rods fixed at one end. Attaching light glass beads, silvered within, to the end of a metal rod, and allowing the light of a lamp or candle to fall upon the bead, he obtained a small spot intensely illuminated. When the rod vibrated, this spot described a brilliant line which showed the character of the vibration. A knitting-needle, fixed in a vise with a small bead stuck on to it by marine glue, answers perfectly as an illustration. In Wheatstone’s more complete instrument, which he calls a kaleidophone, the vibrating rods are firmly screwed into a massive stand. Extremely beautiful figures are obtained by this simple contrivance, some of which may now be projected on a magnified scale upon the screen before you. Fixing the rod horizontally in the vise, a condensed beam is permitted to fall upon the silvered bead, a spot of sunlike brilliancy being thus obtained. Placing a lens in front of the bead, a bright image of the spot is thrown upon the screen, the needle is then drawn aside, and suddenly liberated. The spot describes a ribbon of light, at first straight, but speedily opening out into an ellipse, passing into a circle, and then again through a second ellipse back to a straight line. This is due to the fact that a rod held thus in a vise vibrates not only in the direction in which it is drawn aside, but also at right angles to this direction. The curve is due to the combination of two rectangular vibrations.[41] While the rod is thus swinging as a whole, it may also divide itself into vibrating parts. By properly drawing a violin-bow across the needle, this serrated circle, Fig. 56, is obtained, a number of small undulations being superposed upon the large one. You moreover hear a musical tone, which you did not hear when the rod vibrated as a whole only; its oscillations, in fact, were then too slow to excite such a tone. The vibrations which produce these sinuosities, and which correspond to the first division of the rod, are executed with about 6-1/4 times the rapidity of the vibrations of the rod swinging as a whole. Again I draw the bow; the note rises in pitch, the serrations run more closely together, forming on the screen a luminous ripple more minute and, if possible, more beautiful than the last one, Fig. 57. Here we have the second division of the rod, the sinuosities of which correspond to 17-13/36 times its rate of vibration as a whole. Thus every change in the sound of the rod is accompanied by a change of the figure upon the screen. [Illustration: FIG. 56.] [Illustration: FIG. 57.]