South Africa and the Transvaal War, Vol. 4 (of 8): From Lord Roberts' Entry into the Free State to the Battle of KarreeCreswicke, Louis
History
South Africa and the Transvaal War, Vol. 4 (of 8): From Lord Roberts' Entry into the Free State to the Battle of Karree
Creswicke, Louis
South African War, 1899-1902; Transvaal (South Africa) -- History
The crossing, on both days, of the magnificent infantry was apiece with
all that had gone before. First came one shell, then another, but the
troops steadily pursued their warlike course while the missiles hurtling
over their heads exploded in the plain behind them. The great question
had been as to where the river should be crossed. Now that the British
were in possession of the whole area of Hlangwane and its connecting
hills, it was possible to cross either where the river ran north and
south, or where it ran east and west. The idea was to cross and get
along the line of railroad, and follow a straight course up to
Ladysmith. The enemy were believed to be in retreat, and therefore it
seemed perfectly feasible to advance in the way attempted.
On the 21st the gunners continued persistently at work, determining that
the Dutchmen should have no spare time for the building of further
entrenchments. The foe managed, however, to render themselves aggressive
by firing on an ambulance train that was steaming out of Colenso
station. Meanwhile the army was moving westward from Hlangwane plateau,
with a view to marching up beyond the stream, and getting out of the
valley of the river and beyond the kopjes that frowned over it.
LADYSMITH
The story of famine is an insidious story, a creeping horror that,
scarcely visible, yet slowly and very gradually saps first the spirits,
then the energies, then the blood, and finally all the little sparks of
being that serve to divide us from the dead. The seal of hunger was set
on every action, though there was no complaint. The cramped-up Tommy in
his sangar was scarcely as conscious of his risk of danger from shot and
shell as of the aching void that assured him how much nature abhorred a
vacuum. When he marched, he marched now with the step of one who
husbands his resources; when he whistled as of old, he ceased abrupt,
the lung power being scant and short-lived. His eyes, plucky and
Britishly dogged, grew large and wistful, as though looking for
something that never came. Dysentery and fever caught him and left him,
but left him still in charge of famine, which held him in
leading-strings, allowing him his freedom to crawl so far and no
farther. Yet daily routine went on as of yore. The shadow of the man
went on picket or fatigue duty and met his fellow-shadows as often as
not with a jest. In ordinary life you don't look upon cheek-bones as the
features of a face. You take stock of eyes, nose, mouth, possibly ears.
In Ladysmith a man's character betrayed itself in his cheek-bones and in
the anæmic tone of the tanned parchment that was stretched across them.
You could read of patience and heroism in the hard, distinct outlines,
and comprehend the magnificent endurance of one who, expecting to fight
like a devil, was condemned to feed like an anchorite.
Public-domain text, read in full here on John Shaqi.
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