South Africa -- Description and travel; South Africa -- History -- 1836-1909; South Africa -- History -- To 1836
One friend, very experienced in such matters, assured me that my only
plan was to buy the cart in Capetown and carry it with me by ship round
the coast to Durban, and to remain there till I could fit myself with
horses. And I think that I should have done thus under his instructions,
had I not given way to the temptations of procrastination. By going on
without a cart I could always leave the ultimate decision between the
private and the public conveyance a little longer in abeyance. Thus when
I reached Durban I had no idea what I should do in the matter. But
finding an excellent public conveyance from Durban to Pieter Maritzburg,
I took advantage of that, and arrived in the capital of Natal,
embarrassed as yet with no purchased animals and impeded by no property,
but still with my heart very low as to the doubts and perils and fatigue
before me.
At East London I had made the acquaintance of a gentleman of
about a third of my own age, who had been sent out by a great
agricultural-implement-making firm with the object of spreading the use
of ploughs and reaping machines through South Africa, and thus of
carrying civilization into the country in the surest and most direct
manner. He too was going to Pretoria, and to the Diamond Fields,--and to
the Orange Free State. He was to carry ploughs with him,--that is to say
ploughs in the imagination, ploughs in catalogues, ploughs upon paper,
and ploughs on his eloquent and facile tongue; whereas it was my object
to find out what ploughs had done, and perhaps might do, in the new
country. He, too, thought that the public conveyance would be a
nuisance, that his luggage would not get itself carried, and that from
the mail conveyances he would not be able to shoot any of the game with
which the country abounds. When we had travelled together as far as
Pieter Maritzburg we put our heads together,--and our purses, and
determined upon a venture among the dealers in carts, horses, and
harness.
Public-domain text, read in full here on John Shaqi.
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