Whether these players had a regular theatre, or whether they acted in
the courtyard of an inn, or whether they had a moveable stage, I do not
know. It is, however, quite certain that before the end of the sixteenth
century there were four theatres in Bankside--the _Rose_, whose site was
somewhere in Rose Alley: the _Hope_ in Bear Garden Lane: the _Swan_ in
Paris Gardens--that is, on the west side of the Blackfriars Road, not
far from the Bridge: and the _Globe_. The site of the Globe is generally
allowed to have been at a spot 150 feet south of Park Street, close to
the Southwark Bridge Road, and on the east of it. For twenty years, more
or less, the stream of playgoers was turned steadily and continuously to
the Theatres in Bankside, and poet and player lived beside the theatre,
and the place was the pleasure resort of the people, and the haunt of
sporting men, and the school of the citizens, in history at least: and
the pride and glory of London for its dramatists, if the people knew:
and the sink and shame of London for the iniquities and villanies
practised there: the debauchery and the shamelessness of those who lived
upon the Bank.
The Plague, not only of 1603 and of 1625, but those milder attacks
which threatened from time to time were a deadly enemy to the players,
for then the theatre must be closed and the Bear Garden too, for in
crowds there was infection. Think what it meant to close these places of
resort. The Elizabethan theatres maintained almost as many persons as
our own: there were the players proper--the Company: there were the
servants 'in the front' and the servants behind, the 'supers,' the money
takers, the boys who went round selling nuts and cakes, wine and ale,
new books and tobacco: there were the watermen required to carry the
audience to and fro. Why, the shutting of the Theatres must have thrown
out of employ many hundreds of men, and, if we consider their wives and
families, many thousands of people. Can we wonder if the players, one
and all, were Cavaliers, and were ready to fight for the side which
allowed them their daily bread?
[Illustration: The Bear Garden and Hope Theatre, 1616]
But Fortune was against them. The Puritanic spirit prevailed. When the
Parliament conquered, the theatres were doomed. And in 1655, by command
of Thomas Pride, High Sheriff of Surrey, the seven bears of Paris
Gardens were shot by a company of soldiers. In the same year it is
mentioned that the Hope Theatre had been destroyed to make room for
tenements.
Public-domain text, read in full here on John Shaqi.
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