'It consisted of a tabernacle of two floors, resembling two roodlofts; in the lower of which sat a fair young lady with a wheel in her hand, in likeness of Saint Katherine, with many virgins on every side of her; and in the higher story was another lady, in likeness of Saint Ursula, also with a great multitude of virgins right goodly dressed and arrayed. Above all was a representation of the Trinity. On each side of both stories was one small square tabernacle, with proper vanes, and in every square was a garter with this poesy in French, _Onye soit que male pens_, inclosing a red rose. On the tops of these tabernacles were six angels, casting incense on the Trinity, and the two Saints. The outer walls were painted with hanging curtains of cloth of tissue, blue and red; and at some distance before the pageant were set two great posts, painted with the three ostrich feathers, red roses, and portcullisses, and surmounted by a lion rampant, holding a vane painted with the arms of England. The whole work was carved with timber, and was gilt and painted with biss and azure.' The next Pageant that passed through Southwark was that of Charles the Second at his Restoration: 'On the 29th of May, 1660, the Lord Mayor and Aldermen met the King at St. George's Fields in Southwark, and the former, having delivered the City sword to his Majesty, had the same returned with the honour of knighthood. A very magnificent tent was erected in the Fields, provided with a sumptuous collation, of which the King participated. He then proceeded towards London, which was pompously adorned with the richest silks and tapestry, and the streets lined with the City Corporations and trained bands; while the conduits flowed with a variety of delicious wines, and the windows, balconies, and scaffolds were crowded with such an infinite number of spectators, as if the whole collective body of the people had been assembled to grace the Royal Entry.