Perfect to the finger-tips and glowing in a lustrous patina of
golden-green, the Locri Faun--so-called from the place of its
discovery--was declared to be stamped with the hall-mark of individual
distinction which the artificers of old Hellas contrived to impress
upon every one of the rare surviving bronzes of its period. It was
perhaps the finest of the whole group. No wonder the statue had created
wild excitement among the few, the very few, discreet amateurs who had
been permitted to inspect the relic prior to its clandestine departure
from the country. And much as they might deplore the fact that it was
probably going to adorn the museum of Mr. Cornelius van Koppen, an
alien millionaire, not one of them found it in his heart to disapprove
Count Caloveglia's action. For they all liked him. Every one liked him.
They all understood his position. He was a necessitous widower with a
marriageable daughter on his hands, a girl whom everybody admired for
her beauty and charm of character.
Mr. van Koppen, like all the rest, knew what hard times he had gone
through; how, born of an ancient and wealthy family, he had not
hesitated to sell his wonderful collection of antiques together with
all but a shred of his ancestral estates, in order to redeem the
gambling debts of a brother. That amounted to quixotism, they declared.
They little realized what anguish of mind this step had cost him, for
he concealed his true feelings under a cloak of playful worldliness.
Excess of grief, he held, is an unlovely thing--not meet to be displayed
before men. All excess is unlovely. That was Count Caloveglia's classic
point of view. Measure! Measure in everything.
People revered him, above all else, for his knowledge in matters of
art. His connoisseurship was not one of mere learning; it was
intuitional. Astonishing tales were told of him. By the sense of touch
alone, and in the dark, he could appraise correctly any piece of
plastic work you liked. He had a natural affinity with such things.
They held it quite likely that the blood of Praxiteles or his compeers
may still have flowed through his veins--certain at all events, that
there hung about his person the traditions of the versatile colonists
on the shores of Magna Graecia who, freed by legions of slaves from the
trivial vexations which beset modern lives, were able to create in
their golden leisure those monuments of beauty which are the envy and
despair of our generation. On all that concerned the history and
technique of ancient bronzes, more especially, he was FACILE PRINCEPS
in the land, and it was hinted, after the sale of his property, that
Count Caloveglia would not be low to retrieve the fortunes of his
family by putting into exercise those talents for metal-working of
which, as a gifted boy, he had already shown himself to be possessed.
Public-domain text, read in full here on John Shaqi.
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